The Way Back [2020] Review – An Emotionally Satisfying Personal Redemption Story
Sports drama often has a typical set-up or a conventional narrative trajectory. Any film dealing with team sports do offer…
Lost Girls [2020] Netflix Review – An unfocused take on police ignorance and a plea for justice
The new Netflix film “Lost Girls” seems to hint that there are richer subtexts that it withholds within itself. In…
Mulan (1998) Review: One of Disney Animation’s Finest Offerings
One of Disney Animation’s finest offerings and certainly amongst the most impressive films to come out of their Renaissance Era,…
Maska [2020] Netflix Review – Another predictable coming of age comedy that is sweet but tasteless
In a time where the Coronovirus threat has put numerous pandemic movies as the highest watched content on the internet,…
The Platform (El hoyo) [2020] Netflix Review – A Fiendishly Entertaining Allegory on Social Inequality
When Bong Joon-ho innovatively staged the central conceit of the French graphic novel Le Transperceneige in Snowpiercer (2013), it was…
The Career of Chantal Akerman: A Retrospective
One of the greatest directorial minds of her, or any, generation, the late Belgian film-maker Chantal Akerman had a remarkable…
Steven Spielberg’s ‘Schindler’s List’ And Alain Resnais’ ‘Night and Fog’: A Comparative Analysis
Steven Spielberg’s ‘Schindler’s List’ And Alain Resnais’ ‘Night and Fog’: A Comparative Analysis: In the process of critiquing a film…
Safety Last! [1923] – An Incredibly Exciting Slapstick Spectacle
The image of Harold Lloyd precariously hanging from the hands of a skyscraper’s clock in Safety Last! (1923) is one…