The Disaster Artist [2017]: Filling the Hollow
I think its almost been an year- I remember watching a video on YouTube titled โThe Room โ GREATEST MOVIE…
Gully Boy [2019] Review: A coming-of-age tale that just skims the surface
There’s a beautiful sequence mid-way into Gully Boy where Murad (Ranveer) and Safeena (Alia Bhatt) have an argument for the…
On-Screen Feral Kids: A Timeless and Spellbinding Subject
Itโs fascinating to witness the slow ‘domestication’ of (supposedly) feral kids, brought up with limited or no access to human…
Citizenfour [2014] Review: Paranoia-Inducing Edward Snowden Revelations
“We are building the biggest weapon for oppression in the history of mankind.” โ Edward Snowden A paranoia-inducing coverage of…
I Was at Home, But [2019] – ‘Berlin’ Review
Auteur Angela Schanelec has re-written the grammar of film-making and created a cinematic language of her own over the course…
Pratidwandi: How Satyajit Ray’s Film Explores The Rapidly Changing Faรงade of Calcutta
Satyajit Rayโs oeuvre of works has focused primarily upon characters: strong, vulnerable protagonists, with traits that are relatable and universal….
Pierrot le Fou [1965] Review: An Internal Conflict
Directed by the brilliant Jean-Luc Godard in 1965, Pierrot le Fou (Pierrot the Madman) is a beautiful French New Wave…
The Unspoken Diversity Deficiency at the Oscars: Amount of Films & Foreign Films
The Oscars can make a big song and dance every year about how wokely diverse they are (or are trying to become), but really, when it comes down to the numbers and money needed for an awards season campaign, itโs no wonder theyโre going to hit some blind spots.