Itโs Okay If You Donโt Like Alfonso Cuaroฬn’s Roma
The question is not whether I like Roma or not. The question is- am I even allowed to dislike it? How can I possibly say anything bad about Guillermo del Toroโs favorite film of all time? Moviegoers are under tremendous pressure to appreciate Roma.
The Other Side of the Wind [2018] Review- Everything In Its Right Place
As curious as its production is, this odd film and its pieced-together piecemeal nature is perfectly suited for a service like Netflix, where you donโt have to take the film in its entirety, but drop in and out at whichever point you please โ youโre bound to land on some sly sardonic humour thatโs permeated with the stench of cigar smoke and whiskey.
The 10 Best Netflix Original Films of 2018
Netflix has been constantly churning out films at a thundering speed, and most of them have failed to please critics…
Netflix Acquires Indian Series “Delhi Crime” starring Shefali Shah and Adil Hussain
Netflix acquires worldwide rights of โDelhi Crimeโ a seven-episode series based on 2012 Delhi rape case starring Shefali Shah in…
We Are Little Zombies [2019]: ‘Sundance’ Review – A Tedious Teen Movie
Thereโs a lot of creativity at display here, but itโs in service of nothing. Just like zombies, itโs a hideous soulless entity that looks like a movie but isnโt one.
Bird Of Dusk [2018] Review: A Crafty and Celebratory Look onto Rituparno’s Reality
Sangeeta Dutta’s ‘Bird of Dusk’ is a eulogy on the noted Bengali filmmaker Rituparno Ghosh. It provides a profound insight…
Bohemian Rhapsody [2018] Review: Freddie Mercury Deserves Better
For a biopic so trite, formulaic & mediocre, Bohemian Rhapsody (2018) sure goes out on a triumphant high. Powered by…
The mixed reactions to Lars von Trier’s The House That Jack Built
Lars von Trier has now released what may be his defining and most quintessential film, one that has become his most polarising (which is certainly saying something). If thereโs a more divisive film from 2018 out there, I (may) like to see it. All I know is that von Trier is gleefully rubbing his palms together over the ruckus heโs ignited in the film criticism world with his latest offering.