Jonaki [2018] Review – A Bewitching Experimental Cinematic Endeavor
Indian writer/director Aditya Vikram Sengupta follows his mesmerizingly poetic debut-feature, Labour of Love (‘Asha Jaoar Majhe’, 2014) with a stately,…
Ralph Breaks the Internet [2018] Review: A Worthy Successor To Wreck-It Ralph
Wreck-It Ralph was a surprising but welcome change from Disney that took us on a nostalgic trip down the lane…
If Beale Street Could Talk [2018] Review: Go Listen To This Film
Barry Jenkins is back after winning the best picture Oscar with Moonlight. This time, with an adaptation of the popular…
Best of Yesteryear: Top 10 Films of 2017
It’s that time once again this year – the Best Films of Yesteryear. To combat the often short-sightedness of Best…
Aquaman [2018] Review: Into The Deep End
Aquaman is the sixth entry in the DC extended universe and the big year-end fantasy film of 2018. It follows…
Bumblebee [2018] Review: When a Franchise Transforms
Yes, I am that person who has seen all the Transformers films in the theater, even the 5th one. While…
Namdev Bhau: In Search of Silence [2018] Review – So Near and Yet So Far
“Man has evolved with modernization”. This statement has passed the litmus test of empirical evidence and the genius of scientists…
One Cut of the Dead [2018] Review – An Original Comedy within a Unoriginal Horror Movie
There are two must-dos to better enjoy Shinichirou Ueda’s wild comedy One Cut of the Dead (‘Kamera o tomeru na!’,…