The Lost City [2022] Review – Sandra Bullock & Channing Tatum cannot save this stale, humorless romp
Am not sure what director brothers Adam Nee, and Aaron Nee had in mind when they first started making “The…
Bela (2021): A Hypnotic Exploration of Time, Moving and Mysterious in its Rhythms
If one were to describe time, one would possibly find several poetic ways to highlight its transcendental nature. For Prantik…
Kakababur Protyaborton [2022] Review – More of a lacklustre travelogue of the Savannah than a Film
Kakababur Protyaborton (2022) Review: It might be safe to assume that Bengalis are born with a healthy dose of wanderlust,…
The White Lotus (2021-2022): A Ruminative Portrayal of the Decaying Nature of Privilege
Unlike other elements 0f Nature, water is not always the same. It calms you down, whilst working you up. It…
Taanakkaran [2022] ‘Hotstar’ Review – A Decent Cop Drama on Abuse of Power
Taanakkaran (2022) despite a few underwhelming dramatic portions holds strong due to good performances and a unique setting.
Naradan (2022) ‘Prime Video’ Review: An Unafraid Testimony to India’s Present Journalism Culture
Naradan (2022) ‘Prime Video’ Review: I cannot lie that I walked into this film with sufficient enthusiasm to last my…
Furioza (2021) Movie Explained: Ending & Themes analyzed
Directed by Cyprian T. Olencki, ‘Furioza’ is a tense action crime drama released on Netflix. The title of this Polish-language…
Dasvi [2022] Netflix Review: A Two-Hour Long Dud that Flunks the Boxoffice Test
The debutant work of director Tushar Jalota, Dasvi is a comedy caper that starts on a high note promising bursts…