Anne+: The Film [2022] Netflix Review: An Important but Unfocused Mainstream Queer Drama
There are certain stories in cinema that are fit for certain mediums. Of course, a solid short film by a…
Into The Wind (2022) Netflix Review: Felt Like A Music Video Edit Hobbling Its Way Through Cliches
Over the past few years, Netflix has planted its stake in a less ambitious place: teen romantics. This week, we…
The Unmaking of A College [2022] Review – An Important Documentary About Preserving And Promoting Education
Let’s start this review on a low key weird note. In a video on Jake Paul’s diss track on teachers,…
Don’t Look Up (2021): A Parody of American Apathy
Beyond ecocritical questions, the final scene of Don’t Look Up (2021) runs deep, critiquing simultaneously the crisis of values in…
Mahaan [2022] ‘Prime Video’ Review – Calling It ‘Ridiculous’ is an Understatement
Karthik Subbaraj is quote-unquote ‘the stylish filmmaker of Tamil cinema’. But nothing can be purely stylistic, at least within the…
The Fabulous Filipino Brothers [2021] Review – A Personal Comedy That Fails To Hit The Right Spots
Dante R. Basco is an American actor of Filipino origin who is perhaps most recognized for his performance as Rufio…
Ballad of a White Cow [2022]: ‘MUBI’ Review – An Urgent Political Drama Asking Bitter Questions From the State
Ballad of a White Cow ‘MUBI’ Review: How do we define truth? Is it what “is”? Or what appears circumstantially…
I Want You Back [2022] ‘Prime Video’ Review – A Formulaic Rom-Com Elevated By Charlie Day And Jenny Slate’s Performances
Romantic comedies centered around heterosexual characters have been the norm since, well, romantic comedies came into existence. Society deemed heterosexuality…