Rajkumar Rao and Ayushmann Khurrana: Redefining the Definition of a Hindi Film Hero
If you are an avid watcher of Hindi cinema, you might have noticed that some things have changed over the…
Sansho The Bailiff (1954) Review – A Contemplative piece on Idealism & its Repercussions
“Without mercy, man is like a beast. Even if you are hard on yourself, be merciful to others. Men are…
Take Me Somewhere Nice [2020] MUBI Review – ‘Stranger than Paradise’ with a female-gaze
It is pretty obvious for lovers of indie-cinema to see the heavy influence of Jim Jarmusch in Ena Sendijareviฤ’s stylish…
Husbands [1970] Review: Imperfect Sincerity, or simply, Sincerity
Films directed by John Cassavetes are good films because they are honest and most importantly – uncompromisingly personal. Between the…
Rocketman (2019) Review: Satisfactory On Multiple Levels
Rocketman (2019) is an amazing trip. A beautiful study of character. A lesson in how to do a biography. It…
Oslo August 31st [2011] MUBI Review – A sympathetic tale of a drug-addict coming to terms with his life
Joachim Trier’s “Oslo, August 31st” comes from a very intimate space. Loosely adapted fromย Pierre Drieu La Rochelle’s french novel ‘Will…
The Lord Of The Rings Trilogy: The Symbol Of The Ring
Whether it is from the books or the films, multiple interpretations have been drawn from J. R. R. Tolkienโs “The…
How Olivia Wilde’s 2019 debut film ‘Booksmart’ breaks stereotypes
I came across “Booksmart (2019)” last year but only recently saw it again and something clicked with me. The trailer…