The Ward [2010] Review: Not Carpenteresque Enough
John Carpenter’s final feature film (to date) is so generic, forgettable & lacking in atmosphere that it’s difficult to believe…
Parasite (Gisaengchung) [2019] Review – A blood sucking drama on class divide
The family in ‘Parasite (Gisaengchung)‘ live underground like rats in a sewer. They steal wi-fi from a nearby cafe and…
August (Agosto): ‘TIFF’ Review – A merging of adolescent and adulthood crises and realities
Armando Capo’s feature debut August (Agosto), is a simple, beautiful and poignant narrative of adolescent experiences coupled with socio-political influences…
Ghosts of Mars [2001] Review: Could Have Been Worse
John Carpenter’s penultimate feature film to date is a horror sci-fi actioner that’s crafted like an exploitation flick and even…
Stranger Than Paradise [1984] – A Charmingly Low-Key Classic of American Indie Cinema
Jim Jarmusch’s sophomore feature Stranger Than Paradise (1984) has sixty-seven shots – mostly long static shots filmed with live sound…
Ad Astra [2019] Review – An Exhilarating cinematic Experience
Ad Astra, directed by James Gray and had Premier at Venice Film Festival (2019), is the second film this year…
Bard Of Blood (2019) Netflix: 11 Critical Observations
Bard of Blood is a Hindi language Netflix series starring Emraan Hashmi, Sobhita Dhulipala and Vineet Kumar Singh in pivotal…
Vampires [1998] Review: Style. Swag. Savagery.
Opening on an explosive note, packing no shortage of style & swag, and reveling in endless gore & violence throughout…