The Complexity of Happiness [2016] : The Pursuit of Happiness
The Complexity of Happiness presents an astute look at how human themselves are accountable for their acute suffering, in a comedic tone with the quite perfectly synced soundtracks that absolutely aid the narration, fused together with the style & substance.
The Master [2012] : A Kaleidoscope of Meaning
Boundaries are made to be broken, conventions exist to be challenged and a man is often asked to suspend his…
Slightly Overrated Films: Mad Max: Fury Road [2015]
As good an action film as Fury Road is, this lead to some quality hyperbole when it came to praising the film, which I believe is neither the best action film of the decade, nor year, and may not be the best Mad Max film out of this overglorified series.
Netflix & Chill : Gandu [2010]
Gandu is a devastating punk dream, a hyperactive nightmare where hallucinations are life and life is a hallucination.
Live by Night [2017] : Vice, Rum And Wannabe Gangsters
Live by Night had all the substance and elements to be a great period crime drama as it was set against a fascinating backdrop of ‘Prohibition Era in America’ when there was a constitutional ban on alcohol but failed outstandingly to connect those missing dots to form a continuity between the plot and sub-plots.
10 Films the HOF-Men Recommend: 7th Edition
Here is the 7th Edition of 10 Films the HOF-Men Recommend. Like Father, Like Son [2014] | Director: Hirokazu Koreeda | Run…
Haraamkhor (2017): Innocent Love & Circumstantial Loneliness!
There’s a sense of explosiveness that boils up beneath all that’s going on in Shlok Sharma’s Haraamkhor. Like every little secret love affair, Haraamkhor lies right on the boundary of moral transgression and universal hate. However, Shlok Sharma’s incredible sense of covering the boundaries whilst questioning love, loneliness, and vulnerability evokes subtle greatness that his little film boldly puts on its shoulder like a cape made of wretched cloth pieces.
5 Reasons Why Haraamkhor is a Must Watch
It was 2nd November 2015, a remarkable day in the week of cinematic wonders that is MAMI Film Festival. I was among the first few people to attend the Indian premiere of Haraamkhor. I brag about it because I was the last delegate, in (almost endless) stand by queue, who was allowed to enter the screening. I’ve seen people standing in the queue for hours and fighting authorities just to watch this movie. However, after…