If Beale Street Could Talk [2018] Review: Go Listen To This Film
Barry Jenkins is back after winning the best picture Oscar with Moonlight. This time, with an adaptation of the popular…
Best of Yesteryear: Top 10 Films of 2017
It’s that time once again this year – the Best Films of Yesteryear. To combat the often short-sightedness of Best…
Aquaman [2018] Review: Into The Deep End
Aquaman is the sixth entry in the DC extended universe and the big year-end fantasy film of 2018. It follows…
Bumblebee [2018] Review: When a Franchise Transforms
Yes, I am that person who has seen all the Transformers films in the theater, even the 5th one. While…
Namdev Bhau: In Search of Silence [2018] Review – So Near and Yet So Far
“Man has evolved with modernization”. This statement has passed the litmus test of empirical evidence and the genius of scientists…
One Cut of the Dead [2018] Review – An Original Comedy within a Unoriginal Horror Movie
There are two must-dos to better enjoy Shinichirou Ueda’s wild comedy One Cut of the Dead (‘Kamera o tomeru na!’,…
The Guilty [2018] Review – A Brilliantly Layered Claustrophobic Thriller
Danish film-maker Gustav Moller’s feature film debut The Guilty (‘Den skyldige’, 2018) and Aneesh Chaganty’s American thriller Searching (2018) showcases…
The State of Modern Comedies – Conclusion: Theories of Comedy
The state of modern comedies has quite a few lessons to learn from these films and these theories. They don’t need to entirely replicate these bizarre and audience-dividing antics, but merely use them or their contemporaries as influences to make future comedy films funnier, more unexpected, and more exciting.