The Most Beautiful Boy in the World [2021]: ‘Sundance’ Review – The fading fallacy and ignorance of stardom
Luchino Visconti was one of the founding fathers of Italian neorealism. It was a movement in film history that actually…
The Wanting Mare (2021) Review: A Penetrating Visual Fantasy
The Wanting Mare opens with a marvelous atmospheric view of a city, purportedly bobbing through a murky ocean, its lights…
The Top 5 Hindi Web Shows of 2020
Top 5 Hindi Web Shows of 2020: 2020 has been a terrible year for the cinema industry. This was the…
Penguin Bloom [2021] Netflix Review: A-List Actors Can’t Save Undercooked Melodrama
Glendyn Ivin’s Penguin Bloom adapts Cameron Bloom and Bradley Trevor Greene’s book of the same name, telling the true story…
The Dissident [2020] Review – The Pensive and Fury-Inducing Story of a Slain Journalist
Bryan Fogel, the Oscar-winning documentarian of Icarus (2017), once again tackles a disquieting subject which many would have admonished him…
Paava Kadhaigal [2020] Netflix – Sinful Filmmaking under the Garb of Hard-Hitting Social Drama
Following the anthology series Lust Stories (2018) and Ghost Stories (2020), Netflix offers its third anthology in the stories series,…
Movie Casinos You Can Visit in Real Life
Casinos have provided a glamorous location in movies, associated as they are with high risk, increased tension and suspense as…
Wander [2020] Review – The paranoia of Conspiracy Theories
The fact that ‘Wander‘ occasionally takes its action too seriously makes me want to not give it another go. However,…