Last Year At Marienbad [1961] : Pygmalion and Galatea at Marienbad
Pygmalion and Galatea at Marienbad. Meaning of art in Alain Resnais’s “Last year at Marienbad” The 1960s were a very…
New Order [2020] Review – Another Level of Manipulation
The films with a direct political theme are not from today and for that very reason, they had to reinvent…
Aurora Borealis (2020) Review: Caught Within The Legacy of A Star
Aurora Borealis (2020) Review: A few weeks ago when actor Soumitra Chattopadhyay was hospitalized after he tested covid positive, an…
IRL [2020] Review – A clickbaity romance that floats but only occationally sticks
The world of dating has literally changed in the last couple of years. You can now click, type, and land…
The Fable [2019] Review: A genre-blurring film that is refreshingly unique
The Fable (ザ・ファブル) is a live-action adaptation of Katsuhisa Minami’s manga of the same name. The film follows its titular…
Kaali Khuhi [2020] Netflix Review- A Sober Exercise in Silliness
‘Kaali Khuhi’ is another addition, the second of the year following Anvita Dutt’s Bulbbul, to the new wave of Indian…
76 Days [2020] ‘DIFF’ Review – A miraculous snapshot of the current crisis told with unflinching flair
Before 2020 became the trash fire of a year it is currently today, there were three whole months when the…
Bare Trees in the Mist [2020]: ‘DIFF’ Short Film Review – The wafer-thin weight of gratitude
Rajan Kathet’s short film Bare Trees in the Mist (2020) is shot on the academy aspect ratio. This gives the…