It Comes at Night [2017]: Despairing Vision of Fear and Paranoia
It Comes at Night [2017]: Despairing Vision of Fear and Paranoia The closest Shults ever came in providing a pretext…
TIFF 2017: New Images and Clip from Hong Sang Soo’s The Day After
Prolific Korean master Hong Sangsoo’s conversational comedy of errors, The Day After, intertwines the stories of an unfaithful publishing company…
Lady Macbeth [2017]: Pugh is the Star of Victorian Tragedy
Adapted from Nikolai Leskov’s 1865 novel “Lady Macbeth of the Mtsensk District”, which is itself inspired from Macbeth by Shakespeare,…
Cache [2005]: More Than What Meets The Eye!
Shrouded in mystery and masqueraded as a bandwagon for socio-political right to privacy, Cache wears layers upon layers to hide…
TIFF 2017: New Images & Trailer from Abed Abest’s Simulation
TIFF 2017: New Images & Trailer from Iranian film-maker Abed Abest’s Simulation Iranian New Wave cinema has emerged as one…
Stephen King’s It [1990]: Poorly Executed. Terribly Dated. Downright Forgettable.
Stephen King’s It [1990]: Nothing Memorable About It. Stephen King’s It begins on a promising note. Its opening act is…
TIFF 2017: New Images from Anurag Kashyap’s The Brawler (Mukkabaaz)
A lower-caste boxer struggles to make his mark on the boxing world, in the highly anticipated film, The Brawler aka…
TIFF 2017: New Images & Clips From Calin Peter Netzer’s “Ana, mon amour”
TIFF 2017: New Images & Clips From Calin Peter Netzer’s “Ana, mon amour” Romanian filmmaker Calin Peter Netzer (Child’s Pose)…