Comets (2019): ‘TIFF’ Review – Of Memories & torrid Affair
Tamar Shavgulidze’s sophomore film ‘Comets’ (2019) unfurls at an unhurried pace in airy, pastoral villa, like an indolent and languid…
Posham Pa [2019] Zee5 Review – An unsatisfactory real-life documentation
Posham Pa is directed by national award-winning director Suman Mukhopadhyay and is based on true events from the life of…
Zana [2019]: ‘TIFF’ Review – Adriana Matoshi is Magnetic in this post-war tormentor
Kosovo-born, LA-based writer/director Antoneta Kastrati’s ‘Zana’ is her feature-length debut. After a decade long career in documentary filmmaking, Kastrati dives…
Henry Glassie: Field Work [2019]: ‘TIFF’ Review – A Wonderful Visual Diary of the World And Its Inhabitants
Henry Glassie: Field Work is more of an experience than a film really. An experience that is best described as…
Partenonas (Parthenon)[2019]: ‘Venice’ Review – A trance-like postmodern tracing of memory
Obfuscation is an understatement when it comes to Lithuanian filmmaker and academic, Mantas Kvedaravičius’ feature film Partenonas (Parthenon). Following the…
Dream Girl [2019] Review: An Eminently forgettable Dream
Hindi film comedy scene has changed a lot but never quite reinvented itself. Somewhere or the other these films appear…
A Lookback at The Unofficial Oliver Stone US Presidents Trilogy
William Oliver Stone, the American filmmaker, turns 73 years old on 15th September. Oliver Stone is a household name in…
Unbelievable Netflix (2019) Review: The Truth Will Set Us Free
Unbelievable Netflix (2019) Review: The Truth Will Set Us Free. “Even with good people, even with people that you can…