Irréversible [2002]: About Time and All That It Destroys
Gasper Noe’s erotic melodrama is a classic vengeance story spun into cinema. It’s so blatantly violent in its approach that…
Bulbul Can Sing [2019] ‘LIFF’ Review – The Discernible mellow Voice in peculiar Social noise
Bulbul Can Sing, a coming-of-age docufiction by the rising voice in the Indian independent film arena, Rima Das, provides the…
May the Devil Take You Netflix [2018] Review: Another Middling Horror Entry
From the director of Killers, Headshot & The Night Comes for Us, May the Devil Take You (Netflix) packs some genuinely…
Kattumaram [2019]: ‘LIFF’ Review – A Beautifully Shot yet Superficial Tale of Queer Love
Kattumaram (‘Catamaran’, 2019) marks the feature-length directorial debut of Swarnavel Eswaran, a documentarian and a professor in film studies. Filmed…
Interview with Celine Sciamma – Director of “Portrait of a Lady on Fire”
Portrait of a Lady on Fire’ is a French Historical Drama that was selected to compete for the Palme d’Or…
The 15 Best Women Directed Films Of 2018
The best women directed films Of 2018 show a promising future for female filmmakers. The stories weaved by these exceptional…
150+ Classic Korean Films are Streaming for Free on YouTube
2019 is a year where the South Korean film fraternity made history. Not only did it mark 100 long year’s…
I Am Mother Netflix [2019] Review – A Slick but Underwhelming AI-Themed Thriller
I Am Mother available on Netflix There are tautly constructed dystopian sci-fi films that offer (profound) intellectual and emotional interrogation…





![Adèle Haenel and noémie merlant in Portrait of a Lady on Fire [dir. Celine Sciamma]](https://www.highonfilms.com/wp-content/uploads/2019/06/Portrait-of-a-Lady-on-Fire-2019-1024x540.jpeg)


