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Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
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ColumnE.T. The Extra-Terrestrial (1982): A Visionary Filmmaker’s Journey of Reconciliation Through CinemaJuly 2, 2025 Jack Keating
ColumnBeyond the Azure: Re-watching Ang Lee’s ‘Life of Pi’ Through a Decade of DiscoveryJune 29, 2025 Helly Malviya
Column5 Reasons Why an Arnold Schwarzenegger Cult Classic Outplayed ‘Mickey 17’?June 29, 2025 Gregory Austin
ColumnRewinding Emotion: The Power of Flashback in Vikramaditya Motwane’s ‘Lootera’June 28, 2025 Lagan Mangla
EssayDestination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and EnterpriseJune 28, 2025 Andrew Kidd
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ColumnTalking Through Privilege: The Whit Stillman Trilogy and the Art of Gentle DisillusionmentJune 24, 2025 Talha Younas
ColumnThe Face of Resistance: Sreemoyee Singh’s ‘And, Towards Happy Alleys’ (2023) is a Tribute to Jafar PanahiJune 23, 2025 Arghya Dattagupta
EssayFrom A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity June 22, 2025 Sakshi Salil Chavan
ColumnRabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern ChinaJune 18, 2025 Abhay Yadav
ColumnMemory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
Article Did Kelly Brook Really Upset Ant & Dec Or Is It Just TV Mythology? Naveed Zahir November 23, 2025
Essay The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018) Bipasha Bhattacharyya November 14, 2025
Column The Magic and Meaning of ‘The Milagro Beanfield War (1988)’: Rediscovering Robert Redford’s Overlooked Masterpiece Kay A. Oliver November 14, 2025
Column Get Busy Living: The Shawshank Redemption’s Philosophy of Purpose First, Hope Second Bella Madge November 10, 2025
Essay The Murder We Witnessed, The Life We Must Invoke: A Critical Analysis Of Shamya Dasgupta’s ‘Unmechanical’ Kabir Deb November 10, 2025
Column The Autonomy of Sound in Ghatak – Part II: Sound, Liberation, and Unity in ‘Komal Gandhar’ Sree November 10, 2025
