Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 15, 2025October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 22, 2025
Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 14, 2025October 20, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 18, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025October 17, 2025
ColumnShattered Dreams from Her Silent Island: Nagi in Girish Kasaravalli’s ‘Dweepa’August 13, 2024 Dr. Aparna Ajith
ColumnAmit Masurkar’s ‘Newton’ is an Exploration of the Grey Spaces in the Sphere of DutyAugust 9, 2024 High on Films
ColumnWorld Beckons “Shunya”: Gujarati Folk Bhavai Takes Center Stage in Indie Film DebutAugust 9, 2024 Arpita Chowdhury
ColumnReligion in Horror Films: ‘Incantation’ and Its Real-World ParallelsAugust 3, 2024 Nafees Ahmed
ColumnAnalyzing the Dreamworld of ‘All of Us Strangers’ through a Freudian LensJuly 27, 2024 Srilekha Mitra
ColumnThe Ruins of Half-Forgotten Dreams in the Films of Nobuhiko ŌbayashiJuly 26, 2024 Srimayee Gangopadhyay
Article · EssayRidley Scott’s Gladiator (2000): Hollywood and the Road Always TakenJuly 16, 2024 Shahim Sheikh
ColumnDepiction of Feminity, Othering, and Masculinity in the Iconic ‘Sex And the City’July 16, 2024 Srilekha Mitra
EssayBaba Yaga’s Bullet Ballet: John Wick and the Rebirth of Modern Action CinemaJuly 15, 2024 Aadesh Gupta
ColumnExploring Intersectionality in a Comedic World of ‘Tangerine’ (2015)July 15, 2024 Purusharth Chawla
ColumnSelling Out – How ‘American Fiction’ Recalls Spike Lee’s ‘Bamboozled’ While Sanitizing its Subversive EdgeJuly 13, 2024 Dorian Griffin
ColumnThe Count of Monte Cristo (2024): Action and Emotion – How to Find the Right Balance?July 10, 2024 Joséphine des Aulnois
EssayChandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian SisyphusJuly 8, 2024 Naina Rathi
Essay Michael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-Hero Çisemnaz Çil August 27, 2024
Essay How ‘The Exorcist’ Established its Status as an Enduring Horror Classic Arun Kumar July 14, 2023
Essay How “Spider-Man Across the Spider-Verse” challenges the very identity of Spider-Man and its intersectionality Amartya Acharya July 22, 2024
Essay Transcending Boundaries: Tarkovsky’s Fusion of Style and Substance Kishore Karanam June 13, 2023
High On Films