‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To FailMarch 31, 2026 Shivam Pota
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands CertaintyMarch 31, 2026 Mukulika Batabyal
What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column · Netflix · Streaming Now Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty Mukulika Batabyal March 31, 2026April 1, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column · HBO Max · Streaming Now · TVHBO’s The Last of Us Dramatizes A Controversial Death From The Game, And It’s Just As BrutalApril 21, 2025 Debopriyaa Dutta
ColumnTranslating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’April 14, 2025 Tapolabdha Dey
ColumnEchoes of a Life Fading into Silence in Avinash Arun’s ‘Three of Us’ (2023)April 8, 2025 Subhangi Biswas
ColumnIntimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present April 8, 2025 Tapolabdha Dey
EssayThe Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In FilmApril 4, 2025 Anju Devadas
ColumnCinema as a Path to Transformation: The Power of Film to Shape Identity April 4, 2025 Emily Christine
ColumnRachel Zegler’s ‘Free Palestine’ Tweet Didn’t Kill ‘Snow White’—But Disney Wants You to Think It DidApril 4, 2025 Arghya Dattagupta
ColumnImmigration, Belonging, and the Search for Acceptance in ‘Flow’ (2024) April 2, 2025 Ajay Rahul Raja
ColumnThe Art of Awkwardness: Discomfort as a Storytelling Tool in Jim Jarmusch’s ‘Coffee and Cigarettes’ April 2, 2025 Tapolabdha Dey
ColumnSisterhood on Screen: How ‘Little Women’ Adaptations Capture the Bonds Among WomenApril 2, 2025 Sanjida Samrin Rahman
ColumnBeyond Representation: Genuine Storytelling in Contemporary Coming-of-Age CinemaMarch 30, 2025 Tapolabdha Dey
ColumnIndian Adaptations of ‘Romeo and Juliet’: Fidelity, Creativity, and Cultural TransformationMarch 22, 2025 Vasundhara Parashar
EssayWhy Women Centric Films in Hindi Cinema are not Necessarily Feminist Films?March 20, 2025 Santosh Kumar Mamgain
Column · Netflix · Streaming NowA Bold New Vision: Why the 2022 ‘Persuasion’ Needs More Love?March 18, 2025 Sanjida Samrin Rahman
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 22, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 22, 2025
Column The Smashing Machine: The Many Faces of Dwayne ‘The Rock’ Johnson Charlie Gaskell October 21, 2025
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 22, 2025
Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 29, 2025
Column Dehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ Subhankar Das November 14, 2025
