When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 13, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
Article · EssaySquid Game (Netflix TV Series 2021-): The Nightmare of Karl MarxDecember 2, 2021 Sandeep Sreelekha
Article · EssayDo You know How to Die? On David Lowery’s A Ghost Story and the Green KnightNovember 9, 2021 Shai Tubali
Article · EssayHow Fearless Nadia Became One of The First Action Stars of Indian CinemaNovember 8, 2021 Parth Pant
Article · EssayMathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered PerformancesOctober 27, 2021 Akash Deshpande
Article · EssayThe Human Scale (2012): An Urban Planning Documentary That Questions City DesignOctober 6, 2021 Priya Singh
Article · EssayThe Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain PowerSeptember 27, 2021 Krishnanunni Padinjassery
Article · EssayUnder The Silver Lake (2018) and the Depth Superficiality of HollywoodSeptember 24, 2021 Isabelle Cubas
Article · Essay · Netflix · ReviewThe Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks SpecialSeptember 23, 2021 Atreyo Palit
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Essay · Fan Theory · Review Reading ‘Writer’ (2021) through a Marxist Lens Jeeva Pitchaimani March 2, 2022
Article · Essay Churuli (2021): A Transversal of Understanding Through the Debauchery of Language Krishnanunni Padinjassery February 15, 2022
Article · Essay Shardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai Do Ahendrila Goswami February 14, 2022
Article · Essay Blind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent Times Pranjal Singh February 9, 2022
Article · Essay Silence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its Facade highonfilms February 4, 2022
Article · Essay 20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So Enchanting Aryan Vyas July 10, 2024
Article · Essay Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It highonfilms February 3, 2022
Article · Essay A Ghibli-esque Journey: The Immersive Realism of Studio Ghibli highonfilms January 26, 2022
Article · Essay Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics! Ashwani Kumar January 24, 2022