The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
Article · Essay[Watch] Video Essay Exploring Why Costa-Gavras’”Z” is an Enduringly Relevant Political ThrillerAugust 8, 2022 Arun Kumar
EssayNightcrawler (2014): The Unveiling of ‘Behind the Scene Deception of the MediaAugust 8, 2022 Abirbhab Maitra
EssayThe Problematic Representation of Dalits in Bollywood’s “Essential” FilmsAugust 4, 2022 Aryan Vyas
EssayExploring the Staircase as the Protagonist in The Spiral Staircase (1946)July 27, 2022 Ahendrila Goswami
Article · EssayA Brief History of the Struggles of Blacks in CinemaJuly 19, 2022 Balachandran Chirammal
EssayDiscussing Systemic Sabotage and Institutional Suicide in Jana Gana Mana (2022)May 29, 2022 Krishnanunni Padinjassery
Article · EssayC/o Kancharapalem (2018): When Hope and Despair Marry Each OtherApril 22, 2022 Arundhati Rao
Article · EssayRead My Lips (2001): Bringing Out the Best and the Badass in Each OtherApril 16, 2022 Pranjal Singh
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch Shahim Sheikh August 20, 2024
Article · Essay The Family Man (2021): Six Reasons To Watch The New Season High on Films June 8, 2021
Article · Essay The Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the Future High on Films May 27, 2021
Article · Essay Contact (1997): Revisiting The Underrated Sci-Fi 24-Years On Priya Singh October 6, 2021
Article · Essay The Performance of Toiletry : Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami August 14, 2021
Article · Essay How Haneke plays with the audience expectations in ‘Funny Games’ Shikhar Verma May 24, 2021
![Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch](https://www.highonfilms.com/wp-content/uploads/2021/06/Equinox-Flower-768x575.jpg)
![I Am Cuba [1964]: When Propaganda becomes Poetic](https://www.highonfilms.com/wp-content/uploads/2021/06/i-am-cuba-thumb-768x477.jpg)
![The Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the Future](https://www.highonfilms.com/wp-content/uploads/2021/05/handmaidstale306elisabethmoss-3-768x512.jpg)
High On Films
