The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological ThrillersOctober 22, 2025 Adam Page
Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay Madonna, Myths, and Missteps: A Critique of ‘Devi aur Hero’ Manav October 16, 2025October 22, 2025
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 15, 2025October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 22, 2025
Column The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological Thrillers Adam Page October 22, 2025October 22, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 22, 2025
EssayMukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of MacbethJanuary 28, 2023 High on Films
Column · Max · Streaming Now · TVHow a COVID-esque ‘Cold Open’ Made the Latest “The Last of Us” Episode one of the Greatest Hours on Television?January 25, 2023 Rohitavra Majumdar
ColumnThe Beautiful Disaster of Cutthroat Island (1995): The Concept of a Box Office BombJanuary 20, 2023 High on Films
ColumnReconciling the Virtues of Moral Duty and Battlefield Heroics in Movies About WarJanuary 18, 2023 Arnav Srivastav
EssayThe Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living RoomsJanuary 16, 2023 Kajal Kapur
Essay‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing storyJanuary 11, 2023 Simra Sadaf
EssayExploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’December 29, 2022 Arpita Chowdhury
Essay · Video[Watch] The Unexpected Popularity of RRR in the West ExplainedDecember 16, 2022 Matt Geiger
EssayExotica (1994): A Confounding Tale of Strange Obsessions and Unbearable SufferingDecember 6, 2022 Pranjal Singh
ColumnWhat’s Going On At Netflix? 8 Points Against The Binge-Watching ModelNovember 20, 2022 Aryan Vyas
EssayDisseminating Doubt, Demanding Dignity: The Declaration and Alienation of Ariyippu (2022)November 16, 2022 Krishnanunni Padinjassery
Article · Essay Directors From Parallel Cinema Entering Mainstream Bollywood Devraj Kalsi August 14, 2021
Article · Essay Understanding Charlie Kaufman’s I’m Thinking of Ending Things (2020) Mansi Arora July 14, 2023
Article · Essay The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020) Krishnanunni Padinjassery September 27, 2021
Article · Essay Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch Shahim Sheikh August 20, 2024
Article · Essay The Family Man (2021): Six Reasons To Watch The New Season High on Films June 8, 2021
![Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch](https://www.highonfilms.com/wp-content/uploads/2021/06/Equinox-Flower-768x575.jpg)
![I Am Cuba [1964]: When Propaganda becomes Poetic](https://www.highonfilms.com/wp-content/uploads/2021/06/i-am-cuba-thumb-768x477.jpg)
High On Films