The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
Article · EssayHow Fearless Nadia Became One of The First Action Stars of Indian CinemaNovember 8, 2021 Parth Pant
Article · EssayMathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered PerformancesOctober 27, 2021 Akash Deshpande
Article · EssayThe Human Scale (2012): An Urban Planning Documentary That Questions City DesignOctober 6, 2021 Priya Singh
Article · EssayThe Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain PowerSeptember 27, 2021 Krishnanunni Padinjassery
Article · EssayUnder The Silver Lake (2018) and the Depth Superficiality of HollywoodSeptember 24, 2021 Isabelle Cubas
Article · Essay · Netflix · ReviewThe Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks SpecialSeptember 23, 2021 Atreyo Palit
Article · EssayThe Warm Embrace of CODA (2021), Which Renews Love For MusicSeptember 11, 2021 Atreyo Palit
Article · EssayAnkur (1974): ‘We’ll Go On Forever, Pa, Because We’re The People.’September 9, 2021 Shahim Sheikh
Article · EssayBeginning (2020): Dissent Against the Logic of Patriarchal OrderSeptember 1, 2021 Levan Tskhovrebadze
Article · EssayThe Pied Piper of Corto Maltese and the Chaotic, Entertaining but Insightful The Suicide Squad (2021)August 28, 2021 Atreyo Palit
Article · EssayA Study of Fragmentation in the Aftermath of World War II in Christian Petzold’s Phoenix (2014)August 24, 2021 Ahendrila Goswami
Article · EssayRaw (2016) – Julia’s fascination with Human body and CannibalismAugust 19, 2021 Sandeep Sreelekha
Article · Essay · Prime VideoShershaah and Why the Formulaic Biopic WorksAugust 19, 2021 Ankita Rathour
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay A Case for John Cassavetes’ A Woman Under The Influence Santanu Das February 24, 2021
Article · Essay How the 2019 Malayalam film Ishq showed a middle finger to toxic masculinity Jeeva Pitchaimani February 24, 2021
High On Films
