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Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
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EssayThe Psychology Behind Our Love for True Crime Documentaries: Exploring the FascinationMay 21, 2023 Aravind Nair
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ColumnReading Beyond the Silences: What the Different Voices Tell us about Support in “Mrs. Chatterjee Vs. Norway”April 23, 2023 Arpita Chowdhury
EssayThe Eerie and Fantastical Exhibition of Sam Raimi’s The Evil Dead TrilogyApril 18, 2023 Aravind Nair
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Article · News What is the True Story Behind Netflix’s “Gone Girls: The Long Island Serial Killer”? Deepshikha Deb January 7, 2026
Essay The Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In Film Anju Devadas September 2, 2025
Column Cinema as a Path to Transformation: The Power of Film to Shape Identity Emily Christine April 4, 2025
Column Rachel Zegler’s ‘Free Palestine’ Tweet Didn’t Kill ‘Snow White’—But Disney Wants You to Think It Did Arghya Dattagupta April 4, 2025
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Column Immigration, Belonging, and the Search for Acceptance in ‘Flow’ (2024) Ajay Rahul Raja April 18, 2025
Column The Art of Awkwardness: Discomfort as a Storytelling Tool in Jim Jarmusch’s ‘Coffee and Cigarettes’ Tapolabdha Dey April 18, 2025
Column Sisterhood on Screen: How ‘Little Women’ Adaptations Capture the Bonds Among Women Sanjida Samrin Rahman April 24, 2025
Column Beyond Representation: Genuine Storytelling in Contemporary Coming-of-Age Cinema Tapolabdha Dey April 3, 2025
