Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarApril 25, 2026 Soumalya Chatterjee
‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through April 25, 2026 Aja Haymore
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Essay Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981) Guilherme Quireza April 10, 2026April 11, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
Essay‘EO’: Reimagining ‘Au Hasard Balthazar’ To Study Human Nature Five Decades LaterFebruary 27, 2023 Aryan Vyas
EssayCelebrating Secularism With Shahrukh Khan’s Pathaan (2023)February 22, 2023 Balaganesh Kothapalli
ColumnAction, Horror, and More: Inside the Colorful World of Timo TjahjantoFebruary 22, 2023 Joséphine des Aulnois
EssayDiscovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double BillFebruary 22, 2023 Rob Jones
EssayAnalysing the ‘New’ in Malayalam’s New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022)February 21, 2023 Krishnanunni Padinjassery
EssayFrom DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s RajFebruary 15, 2023 Aryan Vyas
EssayThe Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s HerFebruary 12, 2023 High on Films
ColumnMarvel Cinematic Universe (MCU) Phase 4: What Went Wrong (and Right)?February 2, 2023 Rohitavra Majumdar
EssayMukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of MacbethJanuary 28, 2023 High on Films
Column · HBO Max · Streaming Now · TVHow a COVID-esque ‘Cold Open’ Made the Latest “The Last of Us” Episode one of the Greatest Hours on Television?January 25, 2023 Rohitavra Majumdar
Column How “Paterson” and His Major Moment of Synchronicity Became My Own Bobbi Campbell March 17, 2025
Column The Eternal Cycle: Samsara and Symbolism in ‘Spring, Summer, Fall, Winter… and Spring’ Srimayee Gangopadhyay March 17, 2025
Essay I Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular Damayanti Ghosh April 4, 2026
Article · News Mickey 17: Everything You Need to Know About Bong Joon Ho’s Existential Science Fiction starring Robert Pattinson Deepshikha Deb January 7, 2026
Column Wim Wenders: The Journeys through Solitude and the Search for Meaning Srilekha Mitra March 9, 2025
Article · News Mickey 17: Bong Joon Ho’s Dark Sci-Fi Exposes the Terrifying Reality of Replaceable Workers Deepshikha Deb January 7, 2026
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
