Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 15, 2025
Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 14, 2025October 20, 2025
Column Dehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ Subhankar Das October 14, 2025October 20, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 18, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025October 17, 2025
Column The Smashing Machine: The Many Faces of Dwayne ‘The Rock’ Johnson Charlie Gaskell October 17, 2025October 17, 2025
ColumnThrough the Lens of Love and Longing: Revisiting Kieślowski’s ‘A Short Film About Love’July 21, 2025 Rugmini Dinu
Column‘The Ugly Stepsister’ (2025) and the Cost of Becoming ‘Beautiful Enough’July 21, 2025 Aja Haymore
ColumnWhen Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 20, 2025 Hannah John
ColumnHow Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 20, 2025 Gourab Saha
EssayLolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The NymphetJuly 19, 2025 Anju Devadas
ColumnChanging Terrain of Cinema from India and Achal Mishra’s ‘Gamak Ghar’July 17, 2025 Anand Subhash Borse
EssayThe Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975)July 16, 2025 Krishnanunni Padinjassery
ColumnGuru Dutt at 100: The Enduring Legacy of ‘Pyaasa’ and ‘Kaagaz Ke Phool’July 10, 2025 Srilekha Mitra
ColumnThe Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
ColumnThe Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’July 7, 2025 Kalpa Jyoti Bhuyan
EssayFragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian CinemaJuly 7, 2025 Anju Devadas
Essay ‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on Theirs Sakshi Salil Chavan February 25, 2025
Essay ‘Melancholia’ (2011) and the End of Everything: Exploring Depression, Despair, and the Human Condition Mohan Kumar October 3, 2024
Essay Maddening Ambiguity & ‘The Heiress’ (1949): An Inspiration for Scorsese’s ‘Killers of the Flower Moon’ Emily Holland September 24, 2024
Essay Anatomy of a Fall: Confronting Ethics as a Consequence of a Decision-Making Avantika Tewari September 16, 2024
High On Films