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Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarApril 25, 2026 Soumalya Chatterjee
‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through April 25, 2026 Aja Haymore
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Essay Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981) Guilherme Quireza April 10, 2026April 11, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
ColumnThe Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992)October 24, 2025 Rugmini Dinu
ColumnThe Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological ThrillersOctober 22, 2025 Adam Page
ColumnArchitects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
ColumnThe Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
ColumnThe Smashing Machine: The Many Faces of Dwayne ‘The Rock’ JohnsonOctober 17, 2025 Charlie Gaskell
EssayOne Battle After Another’s Fight in the Graveyard of the WesternOctober 15, 2025 Charlie Gaskell
EssayControl, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948)October 15, 2025 Bella Madge
ColumnHong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’October 14, 2025 Sayantani Datta
ColumnDehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ October 14, 2025 Subhankar Das
ColumnWho Owns Nature? ‘Jugnuma’ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
ColumnBetween Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)October 4, 2025 Rhea Raj Shinde
Column What “English Vinglish” Reveals About Adult Learning in Indian Cinema Madiha Ali January 27, 2026
Essay Energy, Reincarnation, And Cinema: Storytelling From The Sixth Sense To Hawa, Through Amitav Ghosh’s “Ghost-Eye” Kabir Deb January 26, 2026
Article Sentimental Value: Joachim Trier Breaks Down the Cinematic Influences Behind His Masterpiece Naveed Zahir January 26, 2026
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 14, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 14, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 14, 2026
Essay The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020) Krishnanunni Padinjassery January 14, 2026
