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Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
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Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Article Action, Myth, Ballet: How ‘Wick Is Pain’ Explains John Wick’s Genre Defiance Madiha Ali January 21, 2026
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 17, 2026
Column What “English Vinglish” Reveals About Adult Learning in Indian Cinema Madiha Ali January 27, 2026
Essay Energy, Reincarnation, And Cinema: Storytelling From The Sixth Sense To Hawa, Through Amitav Ghosh’s “Ghost-Eye” Kabir Deb January 26, 2026
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Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 14, 2026
