Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarApril 25, 2026 Soumalya Chatterjee
‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through April 25, 2026 Aja Haymore
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Essay Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981) Guilherme Quireza April 10, 2026April 11, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
ColumnThe Autonomy of Sound in Ghatak – Part I: Sound, Silence, and Partition in ‘Subarnarekha’November 7, 2025 Sree
ColumnThe Burden of Grandeur: Revisiting Baahubali’s Idea of a ‘Magnum Opus’November 7, 2025 Lakshmi Muthiah
ColumnBreaking the Cage in ‘Girls Will Be Girls’: Shuchi Talati’s Feminist Lens on Women’s Emotional and Sexual Psyche in South Asian Cinema November 6, 2025 Poddo Alam
Column30 Years Later: Why ‘Waterworld’ Was Never the Bomb Critics Claimed It To Be?November 6, 2025 Kay A. Oliver
ColumnA Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker CinemaNovember 1, 2025 Sebastian Sommer
ColumnThe Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008)October 31, 2025 Christopher Rhoten
ColumnFrom Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)October 29, 2025 Jubin Abraham
ColumnSeeing ‘Sir’ Through Dalit Feminist Gaze: Love Amid Inequality October 29, 2025 Priyanca Ambalvi
EssayThe Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s FilmographyOctober 28, 2025 Beatrice Gangi
Column How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days Hayyan Khawaja February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026
Essay Women Written by Anurag Kashyap: Refusing the Moral Frame Bipasha Bhattacharyya January 27, 2026
Column Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026
Article Action, Myth, Ballet: How ‘Wick Is Pain’ Explains John Wick’s Genre Defiance Madiha Ali January 21, 2026
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 17, 2026
