How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days February 2, 2026 Hayyan Khawaja
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 16, 2026January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 16, 2026January 17, 2026
Column How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days Hayyan Khawaja February 2, 2026February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026January 29, 2026
Column Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026January 23, 2026
ColumnWho Owns Nature? ‘Jugnuma’ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
ColumnBetween Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)October 4, 2025 Rhea Raj Shinde
ColumnThe Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
EssaySummer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s PowerOctober 2, 2025 Ollie Wheaton
ColumnA Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’October 2, 2025 Shivani Muralikrishna
ColumnHow Did Zubeen Garg Become the Heartbeat of Our GenerationSeptember 26, 2025 Kalpa Jyoti Bhuyan
Column‘No Smoking’ and the Politics of Control: Anurag Kashyap’s Unheeded Prophecy September 24, 2025 Soumyajyoti Kar
ColumnA Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for HollywoodSeptember 17, 2025 Liam Gaughan
ColumnThe Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
ColumnConfluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
ColumnOur Girlhood Deserves Better Than ‘The Summer I Turned Pretty’September 14, 2025 Prerna Chatterjee
ColumnLost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
ColumnIn ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape September 12, 2025 Akhila Krishnan
ColumnThe North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural MisstepsSeptember 6, 2025 Santosh Kumar Mamgain
How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)
Column Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the Galaxy Sourav Chatterjee December 23, 2025
Article Hollywood’s Frequent Fallen: The 10 Leading Men with the Most On-Screen Deaths & Why We Mourn Their Characters Kay A. Oliver December 23, 2025
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 25, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 23, 2025
Essay Revisiting ‘Taare Zameen Par’ after reading Carl Honoré’s ‘In Praise of Slowness’ Ayan Dawn November 23, 2025
Column Strong Women, Strong Stories: How Female Characters Can Captivate Audiences Kay A. Oliver November 23, 2025
Article Is There a ‘Now You See Me 3’ (2025) End-Credits Scene? Should You Stay After the Movie? Naveed Zahir November 23, 2025
High On Films
