The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
ColumnDreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966)June 7, 2025 Shivani Muralikrishna
ColumnAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarJune 4, 2025 Soumalya Chatterjee
ColumnQueering the Routes and Roots in the ‘Sancharram’ (The Journey, 2004)June 4, 2025 Dr. Aparna Ajith
Column · FeaturedChris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyMay 27, 2025 Sakshi Salil Chavan
ColumnHow Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle?May 23, 2025 Arijit Paul
EssayPaul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
ColumnThe Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’May 11, 2025 Bharat Bhoite
ColumnThe Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother HerselfMay 6, 2025 Sanjida Samrin Rahman
Essay · FeaturedThe Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema May 5, 2025 Anju Devadas
ColumnHal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master April 30, 2025 Bharat Bhoite
Column‘Daredevil: Born Again’ as Political Parable – A Superhero Story in the Age of Authoritarianism April 29, 2025 Arijit Paul
ColumnFinding Beauty in the Absurd: An Existential Reading of ‘American Beauty’ (1999)April 29, 2025 Abirbhab Maitra
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay Ridley Scott’s Gladiator (2000): Hollywood and the Road Always Taken Shahim Sheikh March 2, 2025
Essay Baba Yaga’s Bullet Ballet: John Wick and the Rebirth of Modern Action Cinema Aadesh Gupta July 20, 2024
Essay Chandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian Sisyphus Naina Rathi July 8, 2024
Essay Lost in Translation: How “Anatomy of a Fall” Captures the Difficulty of Representing Reality David Lobzhanidze June 22, 2024
High On Films
