When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 13, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
Essay · Streaming Now · The Criterion ChannelThe Critical Re-reading of Alfred Hitchcock’s Vertigo (1958)February 10, 2024 Santanu Das
EssayObjectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’February 10, 2024 Jacob Barton
Article · Essay[Watch] Video Essay draws parallel between the works of Wes Anderson & Roy AnderssonFebruary 9, 2024 highonfilms
EssayDecoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice February 3, 2024 Sourajit Dey
EssayThere Will Be Blood (2007): The Fundamentals of Business From Daniel PlainviewJanuary 29, 2024 Balaganesh Kothapalli
EssayComparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ January 20, 2024 Vaani Udasi
EssaySeeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya January 20, 2024 Dr. Aparna Ajith
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Essay How the Screenplay of ‘Past Lives’ Nurtures its Deep Emotional Core Shivani Muralikrishna August 21, 2024
Article · Essay 53 Years of Anand (1971): Examining the Legacy of a Classic Santanu Das March 6, 2024
Essay · Streaming Now · The Criterion Channel The Critical Re-reading of Alfred Hitchcock’s Vertigo (1958) Santanu Das March 4, 2024
Essay Objectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’ Jacob Barton March 13, 2024
Article · Essay [Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson highonfilms February 9, 2024
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