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Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
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Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
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Essay The Universality and Timelessness of One Flew Over the Cuckoo’s Nest Beatrice Gangi February 27, 2024
Awards · Essay How Neeraj Ghaywan’s ‘Masaan’ amplifies its themes through Visual Storytelling Parth Pant July 15, 2024
Article · Essay Love, God and Silence: The Evolution of the Films of Ingmar Bergman Sam Sybert July 14, 2023
Essay Michael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-Hero Çisemnaz Çil August 27, 2024
![A Spike Lee Joint: 25th Hour [2002]](https://www.highonfilms.com/wp-content/uploads/2019/02/site_28_rand_201609877_25th_hour_627.gif)
