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Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 14, 2025October 20, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 18, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025October 17, 2025
ColumnThe Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother HerselfMay 6, 2025 Sanjida Samrin Rahman
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Column · Featured · Max · Streaming Now · TVHBO’s The Last of Us Dramatizes A Controversial Death From The Game, And It’s Just As BrutalApril 21, 2025 Debopriyaa Dutta
ColumnTranslating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’April 14, 2025 Tapolabdha Dey
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ColumnIntimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present April 8, 2025 Tapolabdha Dey
EssayThe Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In FilmApril 4, 2025 Anju Devadas
Essay · Streaming Now · The Criterion Channel The Critical Re-reading of Alfred Hitchcock’s Vertigo (1958) Santanu Das March 4, 2024
Essay Objectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’ Jacob Barton March 13, 2024
Article · Essay [Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson High on Films February 9, 2024
Essay Decoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice Sourajit Dey February 16, 2024
Essay There Will Be Blood (2007): The Fundamentals of Business From Daniel Plainview Balaganesh Kothapalli January 29, 2024
Essay Comparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ Vaani Udasi January 23, 2024
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