When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
‘Sentimental Value’ and Art’s Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 12, 2025December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 11, 2025December 21, 2025
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 21, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025December 21, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025December 18, 2025
EssaySex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur LensesDecember 23, 2024 Ritesh Sharma
ColumnA Half-Hearted Endeavor: The Struggle to Portray the Kaleidoscope of Realism in Netflix’s ‘One Hundred Years of Solitude’December 23, 2024 Soumalya Chatterjee
Column26 years of The Blair Witch Project: A Convention-Breaker that Banked on Fear that Crawled into Your Psyche December 20, 2024 Divy Tripathi
ColumnDirge of Resistance: Unveiling Patriarchy and Power in ‘Mirch Masala’ (1987)December 13, 2024 Soumalya Chatterjee
EssayWatchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic NovelDecember 3, 2024 Mohan Kumar
ColumnFrom Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?November 30, 2024 Shubham Sharma
ColumnHow Prem Kumar’s ‘Meiyazhagan’ Offers a Heartfelt Journey of Rediscovery, Connection, and Healing?November 25, 2024 Sayan Dutta
ColumnA Perspective on Fate, Chance, and Meaningful Connections in ‘Serendipity’ (2001)November 22, 2024 Janani Vaiyapuri
ColumnThe Decline of Integrity in National Film Awards: Politics, Controversies, and Compromised ExcellenceNovember 21, 2024 Santosh Kumar Mamgain
ColumnDeath Becomes Her: How The OG ‘Substance’ Succeeds Where its Successor FaltersNovember 20, 2024 Jamie Carlstrand
ColumnThe Perfect Intersectional Gay Romance in ‘God’s Own Country’November 20, 2024 Ayrton-Lewis Avery
ColumnUnpacking the Horror: Intriguing Theories Surrounding ‘Longlegs’ (2024)November 5, 2024 Soumyajyoti Kar
ColumnChildren of Men: The Dystopian Nightmare That Mirrors Our World TodayNovember 4, 2024 Mohan Kumar
ColumnThe American (Joika, 2024): Relentless Pursuit of Identity and Belonging in the World of BalletOctober 27, 2024 Shinji Alizeh Majumder
Essay‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on TheirsOctober 25, 2024 Sakshi Salil Chavan
Essay Barbenheimer: How ‘Barbie’ and ‘Oppenheimer’ Critiques Our Flawed World In Their Own Ways Srilekha Mitra August 21, 2024
Essay Why Oppenheimer Will Go Down As One of The Most Defining Films Of Our Era? Aryan Vyas August 21, 2024
Essay The Viewer in Kubrickland: Solving Stanley Kubrick’s Hermeneutic Labyrinth Debopriyaa Dutta July 29, 2023
Article · Essay Masculinity and Ignorance as themes in neo-noirs: Taxi Driver, Chinatown, and Drive Nivedita Nair July 18, 2023
Essay Will Movie Adaptations of Famous Games Prove to Be Successful in the Long Run? Jerry Horne July 17, 2023
High On Films
