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Column How Daft Punk Take on the Music Industry Through “Interstella 5555” Rafael Jovine April 6, 2026April 7, 2026
Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
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Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
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Column“Killers of the Flower Moon” and the Politics of Martin Scorsese November 21, 2023 Aadesh Gupta
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EssayPrem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal RulesNovember 8, 2023 Nikhil Sanghotra
Column · JioHotstar · Streaming NowA Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’October 31, 2023 Shivani Muralikrishna
ColumnMagical Realism, Family and the Big Screen: Lessons from Two Great MoviesOctober 31, 2023 Joséphine des Aulnois
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Column Beyond the Azure: Re-watching Ang Lee’s ‘Life of Pi’ Through a Decade of Discovery Helly Malviya July 1, 2025
Column 5 Reasons Why an Arnold Schwarzenegger Cult Classic Outplayed ‘Mickey 17’? Gregory Austin July 1, 2025
Column Rewinding Emotion: The Power of Flashback in Vikramaditya Motwane’s ‘Lootera’ Lagan Mangla July 4, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secrets Hector Levya July 4, 2025
Column Talking Through Privilege: The Whit Stillman Trilogy and the Art of Gentle Disillusionment Talha Younas July 3, 2025
Column The Face of Resistance: Sreemoyee Singh’s ‘And, Towards Happy Alleys’ (2023) is a Tribute to Jafar Panahi Arghya Dattagupta June 25, 2025
Essay From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity Sakshi Salil Chavan June 22, 2025
