Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor CrisisMay 11, 2026 Giovanna Ramírez
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic May 11, 2026 Krish
The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ May 7, 2026 Prapti Alam
Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
Column ‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through Aja Haymore April 25, 2026April 25, 2026
Column Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis Giovanna Ramírez May 11, 2026May 11, 2026
Column Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic Krish May 11, 2026May 11, 2026
Column The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ Prapti Alam May 7, 2026May 7, 2026
Column · JioHotstar · Streaming NowA Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’October 31, 2023 Shivani Muralikrishna
ColumnMagical Realism, Family and the Big Screen: Lessons from Two Great MoviesOctober 31, 2023 Joséphine des Aulnois
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
ColumnThe Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’October 12, 2023 Pritha Banerjee
ColumnJourneys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)October 8, 2023 Balachandran Chirammal
ColumnFrom Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few YearsOctober 4, 2023 Aryan Vyas
EssayWhen Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? October 4, 2023 Aadesh Gupta
ColumnThe Little Grey Cells On Screen: Hercule Poirot and CinemaOctober 2, 2023 Joséphine des Aulnois
ColumnThe Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer IdentitySeptember 26, 2023 Sanjib Kalita
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Article Bricks, Vines, and Bulletproof Ground: How Sergey Doronin Builds Green Worlds for Multimillion-Dollar Series Jerry Horne July 19, 2025
Column E.T. The Extra-Terrestrial (1982): A Visionary Filmmaker’s Journey of Reconciliation Through Cinema Jack Keating July 2, 2025
Column Beyond the Azure: Re-watching Ang Lee’s ‘Life of Pi’ Through a Decade of Discovery Helly Malviya July 1, 2025
Column 5 Reasons Why an Arnold Schwarzenegger Cult Classic Outplayed ‘Mickey 17’? Gregory Austin July 1, 2025
Column Rewinding Emotion: The Power of Flashback in Vikramaditya Motwane’s ‘Lootera’ Lagan Mangla July 4, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secrets Hector Levya July 4, 2025
