Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor CrisisMay 11, 2026 Giovanna Ramírez
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic May 11, 2026 Krish
The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ May 7, 2026 Prapti Alam
Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
Column ‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through Aja Haymore April 25, 2026April 25, 2026
Column Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis Giovanna Ramírez May 11, 2026May 11, 2026
Column Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic Krish May 11, 2026May 11, 2026
Column The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ Prapti Alam May 7, 2026May 7, 2026
ColumnSalma Hayek’s Feminist Activism in Kahlil Gibran’s The Prophet (2014)September 26, 2023 Hisham Muhammad Ali
Column11 Social Setbacks Presented in “Skip and Loafer” And Ways to Deal With ThemSeptember 21, 2023 Jessica Balio
EssayAdulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989)September 20, 2023 Beatrice Gangi
EssayConcept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s FilmographySeptember 12, 2023 Aadesh Gupta
Column · MUBI · Streaming NowWhat Is It Like To Be A Woman?: Perceiving Motherhood in ‘Becoming Male In The Middle Ages’September 11, 2023 Pritha Banerjee
ColumnCinematic Chronicles of Socioeconomic Struggles: A Trifecta of 20th Century ClassicsSeptember 11, 2023 Arpita Chowdhury
ColumnMaybe we should let Women Filmmakers just be Filmmakers: Thoughts on ‘Barbie’ DiscourseSeptember 3, 2023 Gauri
EssayRevelation as Paradox: Oppenheimer and the Criticality of Scientific ReasonSeptember 2, 2023 Shaswata Ray
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Column Talking Through Privilege: The Whit Stillman Trilogy and the Art of Gentle Disillusionment Talha Younas July 3, 2025
Column The Face of Resistance: Sreemoyee Singh’s ‘And, Towards Happy Alleys’ (2023) is a Tribute to Jafar Panahi Arghya Dattagupta June 25, 2025
Essay From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity Sakshi Salil Chavan June 22, 2025
Article This underseen thriller from the 90s starring Sigourney Weaver with a solid 76% Rotten Tomatoes score, is topping Netflix charts Naveed Zahir June 21, 2025
Column Rabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern China Abhay Yadav June 30, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025
