Who Owns Nature? โJugnumaโ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
Between Surnames and Silences: The Unflinching World of Neeraj Ghaywanโs โHomeboundโย (2025)October 4, 2025 Rhea Raj Shinde
The Last Frontier Is Us: What โEddingtonโ and โOne Battle After Anotherโ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
Summer of Superman: How James Gunnโs โSupermanโ (2025) Reminds Us of The Man of Tomorrowโs PowerOctober 2, 2025 Ollie Wheaton
Column A Humanistic Mirror to Indiaโs Fault Lines: Neeraj Ghaywanโs โHomeboundโ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in โQueerโ Kabir Deb September 26, 2025September 26, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025September 26, 2025
Column โKing & Conquerorโ and the Long Shadow of โGame of Thronesโย Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? โJugnumaโ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
Column Between Surnames and Silences: The Unflinching World of Neeraj Ghaywanโs โHomeboundโย (2025) Rhea Raj Shinde October 4, 2025October 7, 2025
Article · EssayMarriage Story (2019): Accepting Love In Separation In Noah Baumbach’s Nuanced Take On LossMarch 24, 2022 Aryan Vyas
Article · EssayDoubt [2008]: A Crisis of Faith Leads to a Dissection of the Nature of CertaintyMarch 21, 2022 Pranjal Singh
Article · EssayThe Kashmir Files: Does Loud Propaganda Negate An Unfortunate Incident In History?March 19, 2022 Aryan Vyas
Article · EssayWheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hotMarch 4, 2022 Pranjal Singh
Essay · Fan Theory · ReviewReading ‘Writer’ (2021) through a Marxist LensMarch 2, 2022 Jeeva Pitchaimani
Article · EssayChuruli (2021): A Transversal of Understanding Through the Debauchery of LanguageFebruary 15, 2022 Krishnanunni Padinjassery
Article · EssayShardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai DoFebruary 14, 2022 Ahendrila Goswami
Article · EssayBlind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent TimesFebruary 9, 2022 Pranjal Singh
Article · EssaySilence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its FacadeFebruary 4, 2022 High on Films
Article · Essay20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So EnchantingFebruary 4, 2022 Aryan Vyas
Article · EssayCulture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned ItFebruary 3, 2022 High on Films
Article · EssayA Ghibli-esque Journey: The Immersive Realism of Studio GhibliJanuary 26, 2022 High on Films
Article · EssayWhy A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics!January 23, 2022 Ashwani Kumar
Article · EssayRomanian Spring in World Cinema: A Spotlight on Romanian CinemaJanuary 23, 2022 Balachandran Chirammal
Article · EssayThe Lost Daughter (2021): The Portrayal of Motherhood in A Nonchalant Psychological DramaJanuary 21, 2022 Aqsa Aleem
The Last Frontier Is Us: What โEddingtonโ and โOne Battle After Anotherโ Say about Survival in the Current Global Order
Article · Essay Creating an Ashoke Ganguli of his Own: Irrfan Khan in โThe Namesakeโ Ahendrila Goswami May 14, 2021
Article · Essay How Nayattu (2021) Is An Unrealistic and Misleading Anti-Dalit Movie Gokul KP June 13, 2021
Article · Essay On The Lives Of Veronique: The Miraculous Krzysztof Kieslowski Santanu Das May 18, 2021
Article · Essay Here’s Why The Oscars Need To Start Recognizing Horror Movies Jebidiah Pinnell February 14, 2023