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Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 26, 2025
Essay God Has Left The Building: Religion in John Hillcoat’s ‘The Road’ Adam Page December 20, 2025December 25, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 20, 2025December 25, 2025
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 25, 2025December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 24, 2025December 27, 2025
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EssayThe Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s HerFebruary 12, 2023 High on Films
ColumnMarvel Cinematic Universe (MCU) Phase 4: What Went Wrong (and Right)?February 2, 2023 Rohitavra Majumdar
Article · Essay Understanding Charlie Kaufman’s I’m Thinking of Ending Things (2020) Mansi Arora July 14, 2023
Article · Essay The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020) Krishnanunni Padinjassery September 27, 2021
Article · Essay Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch Shahim Sheikh August 20, 2024
Article · Essay The Family Man (2021): Six Reasons To Watch The New Season High on Films June 8, 2021
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Article · Essay Contact (1997): Revisiting The Underrated Sci-Fi 24-Years On Priya Singh October 6, 2021
Article · Essay The Performance of Toiletry : Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami August 14, 2021
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High On Films
