Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 26, 2025
Essay God Has Left The Building: Religion in John Hillcoat’s ‘The Road’ Adam Page December 20, 2025December 25, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 20, 2025December 25, 2025
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 25, 2025December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 24, 2025December 27, 2025
EssayMukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of MacbethJanuary 28, 2023 High on Films
Column · Max · Streaming Now · TVHow a COVID-esque ‘Cold Open’ Made the Latest “The Last of Us” Episode one of the Greatest Hours on Television?January 25, 2023 Rohitavra Majumdar
ColumnThe Beautiful Disaster of Cutthroat Island (1995): The Concept of a Box Office BombJanuary 20, 2023 High on Films
ColumnReconciling the Virtues of Moral Duty and Battlefield Heroics in Movies About WarJanuary 18, 2023 Arnav Srivastav
EssayThe Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living RoomsJanuary 16, 2023 Kajal Kapur
Essay‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing storyJanuary 11, 2023 Simra Sadaf
EssayExploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’December 29, 2022 Arpita Chowdhury
Essay · Video[Watch] The Unexpected Popularity of RRR in the West ExplainedDecember 16, 2022 Matt Geiger
EssayExotica (1994): A Confounding Tale of Strange Obsessions and Unbearable SufferingDecember 6, 2022 Pranjal Singh
ColumnWhat’s Going On At Netflix? 8 Points Against The Binge-Watching ModelNovember 20, 2022 Aryan Vyas
EssayDisseminating Doubt, Demanding Dignity: The Declaration and Alienation of Ariyippu (2022)November 16, 2022 Krishnanunni Padinjassery
Article · Essay How Haneke plays with the audience expectations in ‘Funny Games’ Shikhar Verma May 24, 2021
Article · Essay Magnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And Insanity Shahim Sheikh June 2, 2021
Article · Essay How “The 400 Blows” Deviates From Classical Conventions of Narration? High on Films May 20, 2021
Article · Essay The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre High on Films May 18, 2021
Article · Essay How Nayattu (2021) Is An Unrealistic and Misleading Anti-Dalit Movie Gokul KP June 13, 2021
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