A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for HollywoodSeptember 17, 2025 Liam Gaughan
The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column In ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape Akhila Krishnan September 12, 2025September 12, 2025
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column · Featured A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood Liam Gaughan September 17, 2025September 17, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Article · EssayDo You know How to Die? On David Lowery’s A Ghost Story and the Green KnightNovember 9, 2021 Shai Tubali
Article · EssayHow Fearless Nadia Became One of The First Action Stars of Indian CinemaNovember 8, 2021 Parth Pant
Article · EssayMathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered PerformancesOctober 27, 2021 Akash Deshpande
Article · EssayThe Human Scale (2012): An Urban Planning Documentary That Questions City DesignOctober 6, 2021 Priya Singh
Article · EssayThe Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain PowerSeptember 27, 2021 Krishnanunni Padinjassery
Article · EssayUnder The Silver Lake (2018) and the Depth Superficiality of HollywoodSeptember 24, 2021 Isabelle Cubas
Article · Essay · Netflix · ReviewThe Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks SpecialSeptember 23, 2021 Atreyo Palit
Article · EssayThe Warm Embrace of CODA (2021), Which Renews Love For MusicSeptember 11, 2021 Atreyo Palit
Article · EssayAnkur (1974): ‘We’ll Go On Forever, Pa, Because We’re The People.’September 9, 2021 Shahim Sheikh
Article · EssayBeginning (2020): Dissent Against the Logic of Patriarchal OrderSeptember 1, 2021 Levan Tskhovrebadze
Article · EssayThe Pied Piper of Corto Maltese and the Chaotic, Entertaining but Insightful The Suicide Squad (2021)August 28, 2021 Atreyo Palit
Article · EssayA Study of Fragmentation in the Aftermath of World War II in Christian Petzold’s Phoenix (2014)August 24, 2021 Ahendrila Goswami
Article · EssayRaw (2016) – Julia’s fascination with Human body and CannibalismAugust 19, 2021 Sandeep Sreelekha
A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay A Case for John Cassavetes’ A Woman Under The Influence Santanu Das February 24, 2021
Article · Essay How the 2019 Malayalam film Ishq showed a middle finger to toxic masculinity Jeeva Pitchaimani February 24, 2021
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