Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
ColumnPushpa: The Rule – Part 2 (2024) Movie First Look: Allu Arjun breaks the gender stereotype through his androgynous deification avatar……Can we, as a society?April 25, 2023 Arjun Niyogi
ColumnWhat The Three Musketeers: D’Artagnan (2023) Teaches us about Book-To-Screen AdaptationApril 23, 2023 Joséphine des Aulnois
ColumnReading Beyond the Silences: What the Different Voices Tell us about Support in “Mrs. Chatterjee Vs. Norway”April 23, 2023 Arpita Chowdhury
EssayThe Eerie and Fantastical Exhibition of Sam Raimi’s The Evil Dead TrilogyApril 18, 2023 Aravind Nair
EssayOn Race Relations & Queerness in Todd Haynes’ Far From Heaven (2002)April 12, 2023 Jeffrey Davies
ColumnThe Dominance of the South Indian Films: Are We Witnessing a Fundamental Shift or A Passing Cycle?April 12, 2023 Arjun Niyogi
EssaySearching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974)April 12, 2023 Vassilis Kroustallis
ColumnThe Magical Realism of Pan’s Labyrinth & The Redefinition of RealityApril 9, 2023 Beatrice Gangi
EssayRosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular CultureMarch 30, 2023 Ankita Sen
ColumnRoy, Kelly & Rebecca Learn to Set Free From Their Past: A Lesson in Dealing With Our Past VersionsMarch 23, 2023 Akash Deshpande
EssayYou Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel CraigMarch 22, 2023 Joséphine des Aulnois
EssayCharting the Rise of ‘Richsploitation’: The Genre You Don’t Know You LoveMarch 21, 2023 Elliott Kendal
EssayWomen behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022)March 19, 2023 Krishnanunni Padinjassery
Column Wim Wenders: The Journeys through Solitude and the Search for Meaning Srilekha Mitra March 9, 2025
Article · News Mickey 17: Bong Joon Ho’s Dark Sci-Fi Exposes the Terrifying Reality of Replaceable Workers Deepshikha Deb January 7, 2026
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Column Who is the Mysterious Janitor? Unraveling Identity and Loneliness in ‘I’m Thinking of Ending Things’ (2020) Abirbhab Maitra February 17, 2025
Column ‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and Power Aja Haymore February 16, 2025
Column Neo-Kolkata Triptych? A Cinematic Inquiry into a Decaying Metropolis Soumalya Chatterjee February 13, 2025
