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Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025August 3, 2025
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 3, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025July 30, 2025
Article · EssayHow Martin Scorsese’s Mean Streets explores the themes of Penance and SalvationJune 17, 2019 Malu Barroso
Article · EssayHow Ingmar Bergman Explores Dissociation and Identity in PersonaJune 14, 2019 Nivedita Nair
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Article · EssayThe Film Industry’s Gender Parity, Ending Unsubstantiated DiscriminationMay 3, 2019 David Morgan Brown
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Article · EssayThe Unspoken Diversity Deficiency at the Oscars: Amount of Films & Foreign FilmsFebruary 12, 2019 David Morgan Brown
The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future
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Article · Essay Rajkumar Rao and Ayushmann Khurrana: Redefining the Definition of a Hindi Film Hero Tirna Chatterjee February 24, 2021
Article · Essay How Olivia Wilde’s 2019 debut film ‘Booksmart’ breaks stereotypes Tirna Chatterjee February 24, 2021
Article · Essay National Identity In The Romantic Aesthetic of Michael Powell Malu Barroso February 24, 2021
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