‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To FailMarch 31, 2026 Shivam Pota
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands CertaintyMarch 31, 2026 Mukulika Batabyal
What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column · Netflix · Streaming Now Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty Mukulika Batabyal March 31, 2026April 1, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Article · EssayLove, God and Silence: The Evolution of the Films of Ingmar BergmanJuly 14, 2023 Sam Sybert
EssayMichael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-HeroJuly 8, 2023 Çisemnaz Çil
ColumnHow Teamwork On and Off the Screen Transformed the Mission: Impossible Franchise July 7, 2023 Joséphine des Aulnois
EssayHow “Spider-Man Across the Spider-Verse” challenges the very identity of Spider-Man and its intersectionalityJune 22, 2023 Amartya Acharya
EssaySuccession & The Brilliant Execution of Inevitability: How This Prestige Drama’s Overarching Themes Came Full Circle in Its Final EpisodeJune 9, 2023 Aryan Vyas
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Column Translating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’ Tapolabdha Dey April 14, 2025
Article Everything You Need to Know About ‘Weak Hero Class 1’ Before ‘Weak Hero Class 2’ Streams on Netflix Deepshikha Deb January 7, 2026
Column Echoes of a Life Fading into Silence in Avinash Arun’s ‘Three of Us’ (2023) Subhangi Biswas April 8, 2025
Column Intimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present Tapolabdha Dey April 8, 2025
Essay The Fear of Loneliness and End of Reason in Kiyoshi Kurosawa’s ‘Cure’ Andrew Kidd April 14, 2025
Article · News What is the True Story Behind Netflix’s “Gone Girls: The Long Island Serial Killer”? Deepshikha Deb January 7, 2026
Essay The Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In Film Anju Devadas September 2, 2025
Column Cinema as a Path to Transformation: The Power of Film to Shape Identity Emily Christine April 4, 2025
Column Rachel Zegler’s ‘Free Palestine’ Tweet Didn’t Kill ‘Snow White’—But Disney Wants You to Think It Did Arghya Dattagupta April 4, 2025
