Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
EssayThe Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s HerFebruary 12, 2023 High on Films
ColumnMarvel Cinematic Universe (MCU) Phase 4: What Went Wrong (and Right)?February 2, 2023 Rohitavra Majumdar
EssayMukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of MacbethJanuary 28, 2023 High on Films
Column · HBO Max · Streaming Now · TVHow a COVID-esque ‘Cold Open’ Made the Latest “The Last of Us” Episode one of the Greatest Hours on Television?January 25, 2023 Rohitavra Majumdar
ColumnThe Beautiful Disaster of Cutthroat Island (1995): The Concept of a Box Office BombJanuary 20, 2023 High on Films
ColumnReconciling the Virtues of Moral Duty and Battlefield Heroics in Movies About WarJanuary 18, 2023 Arnav Srivastav
EssayThe Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living RoomsJanuary 16, 2023 Kajal Kapur
Essay‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing storyJanuary 11, 2023 Simra Sadaf
EssayExploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’December 29, 2022 Arpita Chowdhury
Essay · Video[Watch] The Unexpected Popularity of RRR in the West ExplainedDecember 16, 2022 Matt Geiger
Anime · Article Übel Blatt Episode 1: Key Takeaways from the anime series’ premiere Naveed Zahir January 11, 2025
Article “I Am a Killer” Season 6: Key Takeaways from Netflix’s True Crime Series Naveed Zahir January 9, 2025
Column A Poetic Portraiture of The Working-Class Women in Payal Kapadia’s ‘All We Imagine as Light’ Soumalya Chatterjee January 9, 2025
Article The Breakthrough: 5 Reasons Netflix’s True Crime Drama Is Unmissable Naveed Zahir January 7, 2025
Column Streams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’ Shubham Sharma January 6, 2025
Column Why ‘Blink Twice’ (2024) is a Bold but Flawed Exploration of Power, Revenge, and Feminism? Ritesh Sharma January 4, 2025
Column Calling the Spade on Motherhood: 7 Watches and a Read to Cope With the Realities of Being a New Mother Nikita Naiknavare January 3, 2025
Article What can you expect from ‘Our Fault’ the final part of the Culpable Trilogy after ‘My Fault’ & ‘Your Fault’? Deepshikha Deb December 30, 2024
Article “Lockerbie: A Search for Truth”: Colin Firth starring Peacock series unravels the Mystery Behind a Tragedy Deepshikha Deb January 7, 2026