Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ December 12, 2025 Shefali Khan
Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations December 12, 2025 Eshiv Garg
Shared Guilt and Divergent Fates: Why Dies Irae Feels Like Psycho’s Distant Cousin December 11, 2025 Gourab Saha
Frankenstein Reborn: Del Toro’s Gothic Dream of Sight, Soul, and Salvation December 11, 2025 Shivani Muralikrishna
Swords Too Have Blunt Sides: A Critical Essay On The Portrayal And Acceptance Of Antagonists In ‘Game Of Thrones’ December 9, 2025 Kabir Deb
Essay You Talkin’ to Me? How Taxi Driver’s Travis Bickle Holds up a Mirror to Who We Are. Adam Page December 8, 2025December 8, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 2, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025December 12, 2025
Column Shared Guilt and Divergent Fates: Why Dies Irae Feels Like Psycho’s Distant Cousin Gourab Saha December 11, 2025December 11, 2025
Column Frankenstein Reborn: Del Toro’s Gothic Dream of Sight, Soul, and Salvation Shivani Muralikrishna December 11, 2025December 11, 2025
Article · EssayRomanian Spring in World Cinema: A Spotlight on Romanian CinemaJanuary 23, 2022 Balachandran Chirammal
Article · EssayThe Lost Daughter (2021): The Portrayal of Motherhood in A Nonchalant Psychological DramaJanuary 21, 2022 Aqsa Aleem
Article · EssayThe Remains of the Day [1993] and The Price of ConscientiousnessJanuary 9, 2022 Adithya Prakash
Article · EssayWhich Floor to Happiness? The Lift Boy (2019) Weaves a Simple Yet Effective Tale of OptimismJanuary 5, 2022 High on Films
Article · Essay(Un)Controlled Chaos and Herd Mentality In the Films of Lijo Jose PellisseryDecember 15, 2021 Krishnanunni Padinjassery
Article · EssayHow Oliver Stone’s JFK (1991) Proved The Unprecedented Power Of Political FilmmakingDecember 9, 2021 Aryan Vyas
Article · EssaySquid Game (Netflix TV Series 2021-): The Nightmare of Karl MarxDecember 2, 2021 Sandeep Sreelekha
Article · EssayDo You know How to Die? On David Lowery’s A Ghost Story and the Green KnightNovember 9, 2021 Shai Tubali
Article · EssayHow Fearless Nadia Became One of The First Action Stars of Indian CinemaNovember 8, 2021 Parth Pant
Article · EssayMathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered PerformancesOctober 27, 2021 Akash Deshpande
Article · Essay Secrets: An Invitation to Intrusion and Manipulation of Lives Carlos Luis February 24, 2021
Article · Essay Rajkumar Rao and Ayushmann Khurrana: Redefining the Definition of a Hindi Film Hero Tirna Chatterjee February 24, 2021
Article · Essay How Olivia Wilde’s 2019 debut film ‘Booksmart’ breaks stereotypes Tirna Chatterjee February 24, 2021
Article · Essay National Identity In The Romantic Aesthetic of Michael Powell Malu Barroso February 24, 2021
Article · Essay Bong Joon-ho – Cinema of modest Prestige and Everlasting Regrets Jai Bhatt July 15, 2024
![M [1931]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/01/M_1931_thumbnail-1024x637.jpg)
![Lookback at Hitchcock: Marnie [1964]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/04/Marnie-1964-highonfilms1-768x418.png)
High On Films
