A Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker CinemaNovember 1, 2025 Sebastian Sommer
Halloween Special — The Cinematic History of the Witch: From Hag to HeroineOctober 31, 2025 Aja Haymore
Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008)October 31, 2025 Christopher Rhoten
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)October 29, 2025 Jubin Abraham
Column Seeing ‘Sir’ Through Dalit Feminist Gaze: Love Amid Inequality Priyanca Ambalvi October 29, 2025October 29, 2025
Column How Masaan (2015) Divorces Women’s Desire From Shame Kudrat Wadhwa October 29, 2025October 29, 2025
Column A Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker Cinema Sebastian Sommer November 1, 2025November 1, 2025
Column Halloween Special — The Cinematic History of the Witch: From Hag to Heroine Aja Haymore October 31, 2025October 31, 2025
Column Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten October 31, 2025October 31, 2025
Article · EssayConflicting Resolutions and the Metaphor of the Aged People in Kieślowski’s Three Colors TrilogyAugust 14, 2021 Atreyo Palit
Essay · Great FilmsSalt of the Earth [1954] – A Landmark American Independent Cinema on the Working ClassJuly 31, 2021 Arun Kumar
EssayWhy “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its InspirationJuly 18, 2021 Ahendrila Goswami
Article · EssayPhoenix (2014): “If I Do What You Tell Me, Will You Love Me?”July 14, 2021 Shahim Sheikh
Article · EssayYugant (1995) – Looking at Eco Feminism through the Prism of an Estranged MarriageJuly 12, 2021 Debanjan Dhar
Article · EssayDirectors From Parallel Cinema Entering Mainstream BollywoodJune 20, 2021 Devraj Kalsi
Article · EssayUnderstanding Charlie Kaufman’s I’m Thinking of Ending Things (2020)June 11, 2021 Mansi Arora
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Article · Essay Bong Joon-ho – Cinema of modest Prestige and Everlasting Regrets Jai Bhatt July 15, 2024
Article · Essay Women in a Man’s World: A Close Look at Aditya Kripalani’s Filmography Ashwani Kumar February 23, 2021
Article · Essay Here’s why the cynical re-examination of Fight Club (1999) is lame David Morgan Brown August 20, 2024
Article · Essay 25 years of The Shawshank Redemption: A Film About ‘Hanging In There’ Reubyn Coutinho May 21, 2023
Article · Essay How the Burden of Dreams can take man deep into the Heart of Darkness Jeremie Richards February 22, 2021
Article · Essay A Lookback at The Unofficial Oliver Stone US Presidents Trilogy Lakshmi Muthiah August 1, 2021