Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Article · Streaming Now Who Are the possible Victims in the White Lotus Season 2? And Who Might Be the Killer(s) After All? Rohitavra Majumdar December 19, 2022
Essay Exotica (1994): A Confounding Tale of Strange Obsessions and Unbearable Suffering Pranjal Singh December 18, 2022
Column What’s Going On At Netflix? 8 Points Against The Binge-Watching Model Aryan Vyas April 23, 2023
Essay Disseminating Doubt, Demanding Dignity: The Declaration and Alienation of Ariyippu (2022) Krishnanunni Padinjassery November 17, 2022
Article Understanding the Plot of Netflix’s 1899 and Theories Around it Rohitavra Majumdar August 17, 2025
Essay On Class and Queer Love: The Particularity of Films about Migrants Pride High on Films October 4, 2022
Essay Five Times Two (2004): A Portrait of a Marriage on the Terms of Endangerment Pranjal Singh September 24, 2022
