The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing WorldApril 11, 2026 Damayanti Saha
Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981)April 10, 2026 Guilherme Quireza
‘Company Retreat’ and the Appeal of The Peculiar Strain of Meta-ComediesApril 9, 2026 Akash Deshpande
Column How Daft Punk Take on the Music Industry Through “Interstella 5555” Rafael Jovine April 6, 2026April 7, 2026
Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Essay Mukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of Macbeth High on Films August 20, 2024
Column · HBO Max · Streaming Now · TV How a COVID-esque ‘Cold Open’ Made the Latest “The Last of Us” Episode one of the Greatest Hours on Television? Rohitavra Majumdar April 23, 2023
Column The Beautiful Disaster of Cutthroat Island (1995): The Concept of a Box Office Bomb High on Films April 23, 2023
Column Reconciling the Virtues of Moral Duty and Battlefield Heroics in Movies About War Arnav Srivastav April 23, 2023
Essay The Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living Rooms Kajal Kapur January 17, 2023
