The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025August 3, 2025
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 3, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025July 30, 2025
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
EssayWhen Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? October 4, 2023 Aadesh Gupta
EssayAdulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989)September 20, 2023 Beatrice Gangi
EssayConcept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s FilmographySeptember 12, 2023 Aadesh Gupta
EssayRevelation as Paradox: Oppenheimer and the Criticality of Scientific ReasonSeptember 2, 2023 Shaswata Ray
The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya Dr. Aparna Ajith January 23, 2024
Essay Transcendental Style as An Idea Of Being in the Filmography of Carlos Reygadas Maria Vatcharadze August 20, 2024
Essay Prem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal Rules Nikhil Sanghotra November 8, 2023
Essay The Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard Linklater Aneesh Raikundalia July 30, 2025
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