Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)October 4, 2025 Rhea Raj Shinde
The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
Summer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s PowerOctober 2, 2025 Ollie Wheaton
Column A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in ‘Queer’ Kabir Deb September 26, 2025September 26, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025September 26, 2025
Column ‘King & Conqueror’ and the Long Shadow of ‘Game of Thrones’ Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? ‘Jugnuma’ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
Column Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025) Rhea Raj Shinde October 4, 2025October 7, 2025
EssayI Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular March 15, 2025 Damayanti Ghosh
ColumnWim Wenders: The Journeys through Solitude and the Search for Meaning March 6, 2025 Srilekha Mitra
EssaySexual Violence and the Objectification of Women in Hindi CinemaFebruary 18, 2025 Santosh Kumar Mamgain
ColumnWho is the Mysterious Janitor? Unraveling Identity and Loneliness in ‘I’m Thinking of Ending Things’ (2020)February 17, 2025 Abirbhab Maitra
Column‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and PowerFebruary 14, 2025 Aja Haymore
ColumnNeo-Kolkata Triptych? A Cinematic Inquiry into a Decaying MetropolisFebruary 13, 2025 Soumalya Chatterjee
Column‘The Wages of Fear’ and ‘Sorcerer’: A Comparison of Different PerspectivesFebruary 10, 2025 Abirbhab Maitra
EssayRobert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric TraditionsJanuary 20, 2025 Kalpa Jyoti Bhuyan
ColumnRelationships in a Small Town in Nuri Bilge Ceylan’s ‘Kasaba’ and ‘Clouds of May’January 19, 2025 Abirbhab Maitra
ColumnA Tribute to David Lynch: An Impenetrable Visionary Who Lit Up The Darkest Recesses of Our MindsJanuary 17, 2025 Julian Malandruccolo
ColumnWhen the Divine Order Embraces Sacred Chaos in Edward Berger’s ‘Conclave’January 14, 2025 Akhila Krishnan
ColumnThe Sweet Ache of Youth: On the Tangled Thrills of ‘Licorice Pizza’January 13, 2025 Tanay Shrotriy
The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order
Essay Transcendental Style as An Idea Of Being in the Filmography of Carlos Reygadas Maria Vatcharadze August 20, 2024
Essay Prem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal Rules Nikhil Sanghotra November 8, 2023
Essay The Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard Linklater Aneesh Raikundalia July 30, 2025
Essay When Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? Aadesh Gupta July 10, 2024
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