When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
‘Sentimental Value’ and Art’s Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 12, 2025December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 11, 2025December 21, 2025
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 21, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025December 21, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025December 18, 2025
ColumnE.T. The Extra-Terrestrial (1982): A Visionary Filmmaker’s Journey of Reconciliation Through CinemaJuly 2, 2025 Jack Keating
ColumnBeyond the Azure: Re-watching Ang Lee’s ‘Life of Pi’ Through a Decade of DiscoveryJune 29, 2025 Helly Malviya
Column5 Reasons Why an Arnold Schwarzenegger Cult Classic Outplayed ‘Mickey 17’?June 29, 2025 Gregory Austin
ColumnRewinding Emotion: The Power of Flashback in Vikramaditya Motwane’s ‘Lootera’June 28, 2025 Lagan Mangla
EssayDestination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and EnterpriseJune 28, 2025 Andrew Kidd
EssayThe French Dispatch: or All Great Beauties Withhold Their Deepest Secrets June 28, 2025 Hector Levya
ColumnTalking Through Privilege: The Whit Stillman Trilogy and the Art of Gentle DisillusionmentJune 24, 2025 Talha Younas
ColumnThe Face of Resistance: Sreemoyee Singh’s ‘And, Towards Happy Alleys’ (2023) is a Tribute to Jafar PanahiJune 23, 2025 Arghya Dattagupta
EssayFrom A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity June 22, 2025 Sakshi Salil Chavan
ColumnRabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern ChinaJune 18, 2025 Abhay Yadav
ColumnMemory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
ColumnWhen Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
EssayThe Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
Essay How the Screenplay of ‘Past Lives’ Nurtures its Deep Emotional Core Shivani Muralikrishna August 21, 2024
Article · Essay 53 Years of Anand (1971): Examining the Legacy of a Classic Santanu Das March 6, 2024
Essay · Streaming Now · The Criterion Channel The Critical Re-reading of Alfred Hitchcock’s Vertigo (1958) Santanu Das March 4, 2024
Essay Objectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’ Jacob Barton March 13, 2024
High On Films
