How Dwayne โThe Rockโ Johnsonโs Professional Wrestling Career Can Inform the Future of His Acting Daysย February 2, 2026 Hayyan Khawaja
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
Why โThe Hitchhikerโs Guide to the Galaxyโ Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
Column โTitliโ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmannโs โThe Great Gatsbyโ Vasundhara Parashar January 16, 2026January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in โAmadeusโ Bella Madge January 16, 2026January 17, 2026
Column How Dwayne โThe Rockโ Johnsonโs Professional Wrestling Career Can Inform the Future of His Acting Daysย Hayyan Khawaja February 2, 2026February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026January 29, 2026
Column Why โThe Hitchhikerโs Guide to the Galaxyโ Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026January 23, 2026
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindanโs Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined FearJuly 24, 2025 Em Stonham
ColumnThrough the Lens of Love and Longing: Revisiting Kieลlowskiโs โA Short Film About LoveโJuly 21, 2025 Rugmini Dinu
ColumnโThe Ugly Stepsisterโ (2025) and the Cost of Becoming โBeautiful EnoughโJuly 21, 2025 Aja Haymore
ColumnWhen Horror Hurts: Violence, Realism, and Responsibility inย ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)ย July 20, 2025 Hannah John
ColumnHow Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s โThe Phoenician Schemeโย July 20, 2025 Gourab Saha
EssayLolitaโs Daughters: Innocence, Eroticism, And Cinematic Obsession With The NymphetJuly 19, 2025 Anju Devadas
ColumnChanging Terrain of Cinema from India and Achal Mishraโs โGamak GharโJuly 17, 2025 Anand Subhash Borse
EssayThe Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975)July 16, 2025 Krishnanunni Padinjassery
ColumnGuru Dutt at 100: The Enduring Legacy of โPyaasaโ and โKaagaz Ke PhoolโJuly 10, 2025 Srilekha Mitra
ColumnThe Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatakโs โJukti Takko Aar Gappoโ Through an Absurdist LensJuly 8, 2025 Ishani Routh
How Dwayne โThe Rockโ Johnsonโs Professional Wrestling Career Can Inform the Future of His Acting Daysย
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awakeย in Adoor Gopalakrishnanโs โKodiyettamโ (โAscent,โ 1978) Jubin Abraham November 2, 2025
Column Seeing โSirโ Through Dalit Feminist Gaze: Love Amid Inequalityย Priyanca Ambalvi December 21, 2025
Essay The Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s Filmography Beatrice Gangi November 13, 2025
Article · News The 10 Most-Watched Movies of 2025 (So Far): Netflix Is Owning the Year Naveed Zahir November 3, 2025
High On Films
