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Essay Halloween Special — The Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s Filmography Beatrice Gangi October 28, 2025October 25, 2025
Essay Halloween Special — The Babadook: How to Create Empathy Deloret Imnidian October 27, 2025October 25, 2025
Column The Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992) Rugmini Dinu October 24, 2025October 27, 2025
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978) Jubin Abraham October 29, 2025October 29, 2025
Column Seeing ‘Sir’ Through Dalit Feminist Gaze: Love Amid Inequality Priyanca Ambalvi October 29, 2025October 29, 2025
Column How Masaan (2015) Divorces Women’s Desire From Shame Kudrat Wadhwa October 29, 2025October 29, 2025
EssaySuperboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & BeyondApril 24, 2025 Sakshi Salil Chavan
Column · Max · Streaming Now · TVHBO’s The Last of Us Dramatizes A Controversial Death From The Game, And It’s Just As BrutalApril 21, 2025 Debopriyaa Dutta
ColumnTranslating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’April 14, 2025 Tapolabdha Dey
ColumnEchoes of a Life Fading into Silence in Avinash Arun’s ‘Three of Us’ (2023)April 8, 2025 Subhangi Biswas
ColumnIntimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present April 8, 2025 Tapolabdha Dey
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ColumnCinema as a Path to Transformation: The Power of Film to Shape Identity April 4, 2025 Emily Christine
ColumnRachel Zegler’s ‘Free Palestine’ Tweet Didn’t Kill ‘Snow White’—But Disney Wants You to Think It DidApril 4, 2025 Arghya Dattagupta
ColumnImmigration, Belonging, and the Search for Acceptance in ‘Flow’ (2024) April 2, 2025 Ajay Rahul Raja
ColumnThe Art of Awkwardness: Discomfort as a Storytelling Tool in Jim Jarmusch’s ‘Coffee and Cigarettes’ April 2, 2025 Tapolabdha Dey
ColumnSisterhood on Screen: How ‘Little Women’ Adaptations Capture the Bonds Among WomenApril 2, 2025 Sanjida Samrin Rahman
ColumnBeyond Representation: Genuine Storytelling in Contemporary Coming-of-Age CinemaMarch 30, 2025 Tapolabdha Dey
ColumnIndian Adaptations of ‘Romeo and Juliet’: Fidelity, Creativity, and Cultural TransformationMarch 22, 2025 Vasundhara Parashar
EssayWhy Women Centric Films in Hindi Cinema are not Necessarily Feminist Films?March 20, 2025 Santosh Kumar Mamgain
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Essay There Will Be Blood (2007): The Fundamentals of Business From Daniel Plainview Balaganesh Kothapalli January 29, 2024
Essay Comparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ Vaani Udasi January 23, 2024
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya Dr. Aparna Ajith January 23, 2024
Essay Transcendental Style as An Idea Of Being in the Filmography of Carlos Reygadas Maria Vatcharadze August 20, 2024
Essay Prem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal Rules Nikhil Sanghotra November 8, 2023
High On Films
