Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake”November 20, 2025 Ahendrila Goswami
Revisiting ‘Taare Zameen Par’ after reading Carl Honoré’s ‘In Praise of Slowness’November 20, 2025 Ayan Dawn
Strong Women, Strong Stories: How Female Characters Can Captivate AudiencesNovember 19, 2025 Kay Oliver
Column A Man of Many Faces: Remembering the Cinema of Tatsuya Nakadai Arun Kumar November 12, 2025November 17, 2025
Essay The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018) Bipasha Bhattacharyya November 12, 2025November 14, 2025
Column The Magic and Meaning of ‘The Milagro Beanfield War (1988)’: Rediscovering Robert Redford’s Overlooked Masterpiece Kay Oliver November 12, 2025November 14, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 20, 2025
Column Strong Women, Strong Stories: How Female Characters Can Captivate Audiences Kay Oliver November 19, 2025
Column Intimacy Without Words: The Silent Bonds of ‘Labour of Love’ Gopika Ashokan November 19, 2025November 19, 2025
EssayPopular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic TropesJune 7, 2025 Santosh Kumar Mamgain
ColumnDreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966)June 7, 2025 Shivani Muralikrishna
ColumnAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarJune 4, 2025 Soumalya Chatterjee
ColumnQueering the Routes and Roots in the ‘Sancharram’ (The Journey, 2004)June 4, 2025 Dr. Aparna Ajith
ColumnChris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyMay 27, 2025 Sakshi Salil Chavan
ColumnHow Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle?May 23, 2025 Arijit Paul
EssayPaul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
ColumnThe Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’May 11, 2025 Bharat Bhoite
ColumnThe Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother HerselfMay 6, 2025 Sanjida Samrin Rahman
EssayThe Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema May 5, 2025 Anju Devadas
ColumnHal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master April 30, 2025 Bharat Bhoite
Essay · Streaming Now · The Criterion Channel The Critical Re-reading of Alfred Hitchcock’s Vertigo (1958) Santanu Das March 4, 2024
Essay Objectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’ Jacob Barton March 13, 2024
Article · Essay [Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson High on Films February 9, 2024
Essay Decoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice Sourajit Dey February 16, 2024
Essay There Will Be Blood (2007): The Fundamentals of Business From Daniel Plainview Balaganesh Kothapalli January 29, 2024
Essay Comparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ Vaani Udasi January 23, 2024
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya Dr. Aparna Ajith January 23, 2024
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