Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Review Afire (2023) Movie Review: Christian Petzold returns with an Eric Rohmer-esque character study about an entitled jerk Shikhar Verma July 17, 2023
Netflix · Review · Streaming Now Mr. Car and the Knights Templar (2023) Netflix Movie Review: A Shoddy Treasure Hunt Film That Needed To Do Everything Differently Shashwat Sisodiya July 13, 2023
Review Home and Ahead (2023) Review: A Fascinating but Frustrating Arthouse Experience Adil Rahim Hyder July 12, 2023
Films This Week · Review Mission: Impossible – Dead Reckoning Part One (2023) Movie Review: Tom Cruise’s Meta-Textual Outing Compounds The Vitality of Both the Star & the Franchise Aryan Vyas July 29, 2023
Review · VOD Traveling Light (2021) Movie Review: A low-budget, COVID-set story that tediously talks about privilege and collective paranoia Shikhar Verma July 8, 2023
Films This Week · Review Insidious: The Red Door (2023) Review: Not Nearly Insidious Enough To Deliver on the Franchise Hijinks Aryan Vyas July 8, 2023
Netflix · Review · Streaming Now The Out-laws (2023) ‘Netflix’ Movie Review: Netflix’s New Action Comedy is Driven by the Formula of Oddball Pairings & Silly Humor Akash Deshpande July 13, 2023
Netflix · Review · Streaming Now Wham! (2023) Documentary Review: A Sleek, Feel-Good and Rapid Snapshot of the Pop Band without much Depth Amartya Acharya July 6, 2023
Films This Week · Review Biosphere (2023) Movie Review: A delightfully weird buddy-comedy that takes the evolutionary headway with a pinch of salt Shikhar Verma July 4, 2023