Berlinale · Featured · Film Festivals · Review Matapanki (2026) ‘Berlinale’ Movie Review: An Ambitious, Punk-Fueled Sci-Fi Adventure that Marks a Promising Directorial Debut Akash Deshpande February 22, 2026 Featured · Film Festivals · Review · Slamdance Dump of Untitled Pieces (2026) ‘Slamdance’ Movie Review: An Occasionally Lively but Low-Stakes Coming-of-Age Tale In the Vein of ‘Frances Ha’ Akash Deshpande February 21, 2026 Berlinale · Featured · Film Festivals · Review Nina Roza (2026) ‘Berlinale’ Movie Review: Galin Stoev Is Magnificent In Wistful, Intelligent Drama on Art and Immigrant Dilemma Debanjan Dhar February 22, 2026 Lists See More… The 15 Best Robert Duvall Movie PerformancesFebruary 19, 2026 Liam GaughanThe 50 Best New Movies to Stream (and Rent) on Netflix, Prime Video, Apple TV+ & More (February 2026)February 21, 2026 Bob SkeetesThe 10 Best Shorts from the 2026 Sundance Film FestivalFebruary 5, 2026 Akash Deshpande Reviews See More… Review Annabelle: Creation (2017) Movie Review: How Does Silence Breathe in the Architecture of Dread? Bipasha Bhattacharyya February 22, 2026 Review Annabelle Comes Home (2019) Movie Review: Behind the Blessed Glass Bipasha Bhattacharyya February 22, 2026 Review 5 Centimeters per Second (2007) Movie Review: A Film about Love Measured in Petals Bipasha Bhattacharyya February 22, 2026 Explainer · Netflix · Review · Streaming Now Pavane (2026) Movie Review & Ending Explained: Why Didn’t Gyeong-Rok Show Up on December 31st? Sanghavi P.S February 22, 2026 Berlinale · Featured · Film Festivals · Review Matapanki (2026) ‘Berlinale’ Movie Review: An Ambitious, Punk-Fueled Sci-Fi Adventure that Marks a Promising Directorial Debut Akash Deshpande February 22, 2026 Featured · Film Festivals · Review · Slamdance Dump of Untitled Pieces (2026) ‘Slamdance’ Movie Review: An Occasionally Lively but Low-Stakes Coming-of-Age Tale In the Vein of ‘Frances Ha’ Akash Deshpande February 21, 2026 Essays See More… Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026 Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026 Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 22, 2026 All Posts Explainer · VODBone Lake (2024) Movie Ending Explained: Is Will a Victim or a Willing Participant?Read More Bone Lake (2024) Movie Ending Explained: Is Will a Victim or a Willing Participant?Fan BlogWhy Structured Planning Is the Key to Cost EfficiencyRead More Why Structured Planning Is the Key to Cost EfficiencyFan BlogHow Casino Scenes in Australian Films and TV Get Gambling Right (and Wrong)Read More How Casino Scenes in Australian Films and TV Get Gambling Right (and Wrong)Netflix · Streaming Now · TV · TV RecapsAgatha Christie’s Seven Dials (TV Series 2026) Recap & Ending Explained: Who Killed Gerry?Read More Agatha Christie’s Seven Dials (TV Series 2026) Recap & Ending Explained: Who Killed Gerry?ReportAssamese Cinema 2025: From Record‑Breakers to Rapid FlopsRead More Assamese Cinema 2025: From Record‑Breakers to Rapid FlopsColumnSartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’Read More Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ColumnBound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’Read More Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ListThe 10 Best Hindi Movies of 2025Read More The 10 Best Hindi Movies of 2025ExplainerP77 (2025) Movie Ending Explained: Can Luna Ever Escape Her Guilt?Read More P77 (2025) Movie Ending Explained: Can Luna Ever Escape Her Guilt?TV · TV ReviewTaskaree: The Smuggler’s Web (2026) ‘Netflix’ Review: Mildly Compelling with Intriguing Premise and Questionable Visual Aesthetics Read More Taskaree: The Smuggler’s Web (2026) ‘Netflix’ Review: Mildly Compelling with Intriguing Premise and Questionable Visual Aesthetics Posts pagination Previous Page 1 … 28 29 30 31 32 33 34 … 1,351 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Berlinale · Featured · Film Festivals · Review Matapanki (2026) ‘Berlinale’ Movie Review: An Ambitious, Punk-Fueled Sci-Fi Adventure that Marks a Promising Directorial Debut Akash Deshpande February 22, 2026
Featured · Film Festivals · Review · Slamdance Dump of Untitled Pieces (2026) ‘Slamdance’ Movie Review: An Occasionally Lively but Low-Stakes Coming-of-Age Tale In the Vein of ‘Frances Ha’ Akash Deshpande February 21, 2026
Berlinale · Featured · Film Festivals · Review Nina Roza (2026) ‘Berlinale’ Movie Review: Galin Stoev Is Magnificent In Wistful, Intelligent Drama on Art and Immigrant Dilemma Debanjan Dhar February 22, 2026
The 50 Best New Movies to Stream (and Rent) on Netflix, Prime Video, Apple TV+ & More (February 2026)February 21, 2026 Bob Skeetes
Review Annabelle: Creation (2017) Movie Review: How Does Silence Breathe in the Architecture of Dread? Bipasha Bhattacharyya February 22, 2026
Review Annabelle Comes Home (2019) Movie Review: Behind the Blessed Glass Bipasha Bhattacharyya February 22, 2026
Review 5 Centimeters per Second (2007) Movie Review: A Film about Love Measured in Petals Bipasha Bhattacharyya February 22, 2026
Explainer · Netflix · Review · Streaming Now Pavane (2026) Movie Review & Ending Explained: Why Didn’t Gyeong-Rok Show Up on December 31st? Sanghavi P.S February 22, 2026
Berlinale · Featured · Film Festivals · Review Matapanki (2026) ‘Berlinale’ Movie Review: An Ambitious, Punk-Fueled Sci-Fi Adventure that Marks a Promising Directorial Debut Akash Deshpande February 22, 2026
Featured · Film Festivals · Review · Slamdance Dump of Untitled Pieces (2026) ‘Slamdance’ Movie Review: An Occasionally Lively but Low-Stakes Coming-of-Age Tale In the Vein of ‘Frances Ha’ Akash Deshpande February 21, 2026
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 22, 2026
Explainer · VODBone Lake (2024) Movie Ending Explained: Is Will a Victim or a Willing Participant?Read More Bone Lake (2024) Movie Ending Explained: Is Will a Victim or a Willing Participant?
Fan BlogWhy Structured Planning Is the Key to Cost EfficiencyRead More Why Structured Planning Is the Key to Cost Efficiency
Fan BlogHow Casino Scenes in Australian Films and TV Get Gambling Right (and Wrong)Read More How Casino Scenes in Australian Films and TV Get Gambling Right (and Wrong)
Netflix · Streaming Now · TV · TV RecapsAgatha Christie’s Seven Dials (TV Series 2026) Recap & Ending Explained: Who Killed Gerry?Read More Agatha Christie’s Seven Dials (TV Series 2026) Recap & Ending Explained: Who Killed Gerry?
ReportAssamese Cinema 2025: From Record‑Breakers to Rapid FlopsRead More Assamese Cinema 2025: From Record‑Breakers to Rapid Flops
ColumnSartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’Read More Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’
ColumnBound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’Read More Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’
ExplainerP77 (2025) Movie Ending Explained: Can Luna Ever Escape Her Guilt?Read More P77 (2025) Movie Ending Explained: Can Luna Ever Escape Her Guilt?
TV · TV ReviewTaskaree: The Smuggler’s Web (2026) ‘Netflix’ Review: Mildly Compelling with Intriguing Premise and Questionable Visual Aesthetics Read More Taskaree: The Smuggler’s Web (2026) ‘Netflix’ Review: Mildly Compelling with Intriguing Premise and Questionable Visual AestheticsÂ
