Pathaan (2023) Review: An Action-Packed, Bollywood Blockbuster Worth the Wait
Pathaan (2023) Review Some wise person once said- ‘There are stars, and then there is Shahrukh Khan.’ When SRK returns…
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Govinda Naam Mera (2022): An Outlandish Yet Watered Down Old School Bollywood Entertainer
At a time when an increasing number of studios globally are resorting to cash in on the 70s and 80s…
An Action Hero (2022) Review: A Hero the Nation Needed, Albeit Not More Than Bollywood Itself
More than any previous year, Ayushmann Khurrana, our beloved social-message hero, has been particularly consistent at giving didactic films since…
Good Muslim-Bad Muslim: An Imagination In Bollywood
[A] certain kind of cinema exists only because a certain kind of state exists. — Saeed Mirza, Outlook for the…
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Fabulous Lives Of Bollywood Wives (Season 2) Review: Mainstream Bollywood Doesn’t Need Your Sympathy
Fabulous Lives Of Bollywood Wives (Season 2) Review: When the first season of Fabulous Lives of Bollywood Wives (2020-ongoing) released…
The Problematic Representation of Dalits in Bollywood’s “Essential” Films
The Problematic Representation of Dalits in Bollywood’s “Essential” Films: Many casual Bollywood viewers today vaguely remember B.R. Ambedkar’s legacy as a…
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Dhamaka [2021] Netflix Review: A Tepid, Mediocre Bollywood Remake With Little Bite
Try as one might, a faithful remake’s chances to succeed need a more powerful word than ‘rare’. Every time I…
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Hum Do Hamaare Do [2021] Review: An Inert Bollywood Rom-Com with Messy Intentions
Hum Do Hamaare Do is another Bollywood romcom in a new bottle that belongs to the nineties, with a bland setup for comedy of errors.
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Call My Agent: Bollywood [2021] Netflix Review – A show about the lives of talent agents works when it is leaning into satirizing Bollywood
I wouldn’t have imagined that I would see the Indian version of a rivalry between Joan Crawford and Bette Davis…