Huda’s Salon [2022] Review: A tense, heavy-handed thriller that escalates uneasily
The compelling 10-minute opening sequence of Palestinian director Hany Abu-Assad’s eighth feature Huda’s Salon throws you off-guard from its seamless…
The compelling 10-minute opening sequence of Palestinian director Hany Abu-Assad’s eighth feature Huda’s Salon throws you off-guard from its seamless…
Iranian cinema seems to enthuse itself. Even after decades of “New Wave” Iranian films first touching the Western shores, they…
‘Restless’, on Netflix, is a frustrating film to watch. The initial glimmer of hope is shaped by a trying moral…
The film welcomes us into the autumn season. Trees are shrouded in the foliage of red and yellow leaves, and…
In Achal Mishra’s new film, premiering at the MAMI Mumbai Film Festival, we witness that classic tussle underlying processes of…
Woodlands Dark and Days Bewitched: A History of Folk Horror [2021], which is available on Shudder BTW, is a genre-defining…
Mr Bachmann and His Class [2021] ‘MUBI’ Review: The SEL, or Social-Emotional Learning, is a learning model that most educators…
“Bangarraju” is apparently a sequel to director Kalyan Krishna’s 2016 offering “Soggade Chinni Nayana”. The only purpose for the existence…
Taking care of another person is not just a job in itself, it’s a full-time responsibility that also involves getting…