The 15 Best Asian Films Of 2017
Asian films have always shown how relatable they can be even to a wider audience. The constant understanding of the…
Asian films have always shown how relatable they can be even to a wider audience. The constant understanding of the…
The Post (2017) is one of those all-American, ambitiously political movies that swiftly represents the past to reflect upon on…
Cult J-Horror filmmaker Kiyoshi Kurosawa (Cure [1997], Pulse [2001]) has been on a hiatus for around a decade now. While…
Loev [2017]: A Tender and Subtly Powerful Gay-Themed Cinema Sudhanshu Saria’s miniaturist romance Loev (2017) unfurls over the course of…
Remember when your mom told you the reason you failed was because “they’re just jealous”? Well, this is the cinematic…
Three Billboards outside Ebbing, Missouri [2017]: An Effective & Darkly Comic Outburst of Righteous Anger Irish playwright and film-maker Martin…
If Noah was a misstep, mother! is pretty concrete proof that Aronofsky is back on firm footing and definitely seems to be equipped with a provocative edge to his dark sense of theatrical storytelling. He pushes, prods, provokes and stupefies. Aided by a hypnotic performance by Jennifer Lawrence, he does something a lot of filmmakers today forget to do: he makes watching a film a personal experience for each individual viewer.
Life is a labyrinth. Some people wander around their whole lives looking for a way out, but there’s only…
120 BPM (Beats Per Minute) [2017]: ‘IFFI’ Review Back in the 1990s, the HIV epidemic had hit every country like…