Angry Son [2022]: ‘NYAFF’ Review: A Seamless Story of the Coming-of-Age of a Japanese-Filipino Queer Young Adult
Every time I am watching a coming-of-age story, I secretly wish the director brings to screen a glimpse of the…
Every time I am watching a coming-of-age story, I secretly wish the director brings to screen a glimpse of the…
It is the New Year’s Eve of the millennium. As we hear excited reporters on the television talking about the…
Ever since rumors arose about the landmark Roe v/s Wade ruling being overturned by the Supreme Court of the United…
Christopher Winterbauer’s feature film Wyrm speaks in a kind of language every syllable of which manifests an obscenely cruel truth—…
Andrew Nackman’s second directorial venture, Paulie Go! (2022) revolves around a high school AI prodigy named Paulie (Ethan Dizon) with…
One of the most important narratives to come out last year was The Fallout which dealt with the process of…
Janek Ambros’ 40-minute long documentary short “Money, Fascism and Some Sort of Acid,” opens with a frantically edited sequence from…
Since the turn of the century, Italian filmmaker Paolo Sorrentino has preoccupied himself with creating alternate realities. Through his inventive…
We Are Little Zombies, which won accolades across several film festivals in 2019, including the Special Jury Award for Originality at Sundance in the same year, plays out like a psychedelic dream in some parts while mostly being a wry but humorous social commentary, dipped in dark humor.