High On Films
Unless you live under a rock or absolutely hate the sci-fi, action sub-genre, you must have come across at least…
![The Severing [2022]: ‘Slamdance’ Review – Calisthenics that careen into tedium](https://www.highonfilms.com/wp-content/uploads/2022/01/The-Severing-Slamdance-768x576.jpg)
Described as a “cathartic movement film”, The Severing left me with a clutch of thoughts that became increasingly pitted against…
The Killer (1989) Review: Chow Yun Fat’s character, Ah Jong, is an extremely skilled professional hitman. He engages in a…
![Brian and Charles [2022]: ‘Sundance’ Review – A feel-good, uber-cute robot comedy about companionship](https://www.highonfilms.com/wp-content/uploads/2022/01/Brian-and-Charles-1-Sundance-768x432.jpg)
In a strange new addition to the ‘using-a-robot-for-personal-purposes’ cinematic universe, Brian and Charles might be too sweet to really matter….
Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics!: The world is a culmination of conflicts….
When the two-time Oscar winner Asghar Farhadi comes out with a new film, it is bound to stir a storm…
The Lost Daughter (2021) by Maggie Gyllenhaal released in December 2021 marked the end of the year and how. Adapted…
With the advent of streaming services available at the push of a button, long-form content is the poison of your…
Art is truly subjective. While one is bound to love something that someone else doesn’t, the vice-versa is also applicable….