Wes “Symmetry King” Anderson is back. After his second animated feature Isle of Dogs, the much-loved director has returned to live-action filmmaking with an ode to journalism: The French Dispatch. Anthologies can…

Wes “Symmetry King” Anderson is back. After his second animated feature Isle of Dogs, the much-loved director has returned to live-action filmmaking with an ode to journalism: The French Dispatch. Anthologies can…
Virtually any film fan worth his salt at this point will know what the label “a Wes Anderson film” means. It means distinctive color pallets, symmetrical framing, children acting like adults, and…
Context. Perspective. Aftermath. These words are continuously called into the minds of the viewers while watching Roman Polanski’s masterpiece, The Pianist. A favorite at the then award shows sweeping multiple awards, including…
I know a few people who simply loathe Wes Anderson’s style of filmmaking, the same that he had followed ever since Bottle Rocket came out back in 1996. But his ornate visual styling and grandest of grand sets have left me baffled every single time. With Wes Anderson, you either get him and his storytelling ways, odd characters, quirky humor, distinctive, whimsical and visceral style, or you don’t. Though I have loved and cherished every single Wes Anderson films.